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I've spent hours and hours doing research into Appalachian folk music. My grandfather was a fiddler. There is something very immediate, very simple and emotional, about that music.

Renee Fleming

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Renee Fleming
Age: 65
Born: 1959
Born: February 14
Musician
Opera Singer
Indiana
Pennsylvania
Renee Fleming
Spent
Appalachian
Research
Fiddler
Emotional
Appalachia
Hours
Fiddlers
Simple
Folk
Music
Grandfather
Something
Immediate
Folks

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Every singer eventually gets around to a Christmas disc.
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My whole career I played these girls sort of 18 to 23.
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While it's a fact that a voice begins with natural talent, any talent must be nurtured, cajoled, wrestled with pampered, challenged, and, at every turn, examined.
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I cannot imagine a more satisfying calling than my own: beauty, humanity, and history every day, combined with the cathartic joy of singing.
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I'm reserved, so I've always needed to find a way of opening up. Jazz helped me do that.
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In a way, being an opera singer is like being a very romantic sixteen-year-old who falls in love with great passion and conviction every month.
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Singers can also get away with a lot based on youth, strength and enthusiasm, only to find ten years later that what was once just a niggling problem has brought their careers to an end.
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The student's job is to stay open-minded, to quell the knee-jerk defensiveness we all possess in the face of suggestions for improvement, and to maintain patience when faced with a process that is often slow, confusing, and frustrating.
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No voice teacher can be all things to all people. You have to gain information from whatever sources you can. You have to listen.
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We are unique, each human voice, not because we are completely self-generated, but because of who we choose to assemble the countless factors that made us.
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I don't like to sing loud.
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I was always a very good student.
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I haven't really been able to transfer into that extraordinarily other worldly creature, other than I hope on stage.
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Well, any time Im preparing for a performance or even a rehearsal, its as if in a way, like any other athletes, these are muscles that support the vocal cords which are just I believe cartilage. It demands a kind of constant warming up and a constant feeling of where is the voice today.
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A lot of performers don't want to leave the circuit, the European opera house circuit, partly because most singers don't sing many concerts, or at least not while they are in their prime.
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Everybody's a work in progress. I'm a work in progress. I mean, I've never arrived. I'm still learning all the time.
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So much can be gained from watching other singers, seeing what they do and what they don't do, seeing how they look when they breathe, how wide they open their mouths for a high note.
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