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I've spent hours and hours doing research into Appalachian folk music. My grandfather was a fiddler. There is something very immediate, very simple and emotional, about that music.
Renee Fleming
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Renee Fleming
Age: 65
Born: 1959
Born: February 14
Musician
Opera Singer
Indiana
Pennsylvania
Renee Fleming
Something
Immediate
Folks
Spent
Appalachian
Research
Fiddler
Emotional
Appalachia
Hours
Fiddlers
Simple
Folk
Music
Grandfather
More quotes by Renee Fleming
I'm American. I'm eclectic. I'm going to follow my musical passions. And if people don't like it, and it hurts my legacy, I'm not going to worry about that.
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Music enabled me as a fragile young person to give voice to emotions I could barely name, and how it enables me to give my voice the unique and mysterious power to speak to others.
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While it's a fact that a voice begins with natural talent, any talent must be nurtured, cajoled, wrestled with pampered, challenged, and, at every turn, examined.
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My worry is that opera will become an historic art form as opposed to a living, breathing thing.
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A lot of performers don't want to leave the circuit, the European opera house circuit, partly because most singers don't sing many concerts, or at least not while they are in their prime.
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The first thing I did when I made a little bit of money as a singer was to buy myself an amber necklace. This is often the way we put together our lives, adding the striking qualities of others into our own character.
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I have a certain image that's more classic, and I'm happy to stay out of the fray.
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There's no performance where I never have to think about setting up a phrase or making a technical adjustment while I'm performing.
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Contrary to the norm, as my technique improved my voice became higher.
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Among the important realizations I had in my own days in the practice room was that if any one route to any one phrase didn't work after days of trying, then the exact opposite route should at least be explored, as well as every alternative in between, as counterintuitive as that often seemed.
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I haven't really been able to transfer into that extraordinarily other worldly creature, other than I hope on stage.
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We sing with the entire body. The sounds that we make emanate not just from the head, but from the whole heart and soul, and, most important, the gut.
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With classical singing you have to put out so much air - you project, you emit force.
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I listen to archival and historic recordings. I love watching singers. I learned a lot from watching videos.
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A lot of bad behavior in singers is caused by nerves.
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Perfection often creates such a flawless surface that there's no place for the audience to enter into a piece, while the idiosyncrasies of individual style are like windows into the singer's heart.
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For years, I had no time for exploratory travel.
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