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I have had a very difficult time with stage fright it undermines your well-being and peace of mind, and it can also threaten your livelihood.

Renee Fleming

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Renee Fleming
Age: 65
Born: 1959
Born: February 14
Musician
Opera Singer
Indiana
Pennsylvania
Renee Fleming
Also
Wells
Undermines
Well
Fright
Mind
Livelihood
Time
Threaten
Stage
Peace
Difficult

More quotes by Renee Fleming

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An interpretation exists because of what we find between the notes.
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My mother was the worst kind of stage mother. She would make me and my younger sister and brother little duckling costumes and put us in kiddie shows.
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I was always a very good student.
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A lot of performers don't want to leave the circuit, the European opera house circuit, partly because most singers don't sing many concerts, or at least not while they are in their prime.
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I'm lucky - I can do two things at once.
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When I sing, the sound is a totally different range, color, all of it. It's all about the breath. You take in a breath and you make a sound.
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I think singing it when its done well is extremely natural. It feels great.
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With classical singing you have to put out so much air - you project, you emit force.
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I was constantly being pushed toward a European ideal of what it means to be a classical or opera singer, let's say in the Renata Tebaldi mode. I reject that.
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I've spent hours and hours doing research into Appalachian folk music. My grandfather was a fiddler. There is something very immediate, very simple and emotional, about that music.
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I think singing is one of the most natural things that human beings do, but it's difficult.
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A lot of bad behavior in singers is caused by nerves.
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At this stage in my career, I don't have to take any big risks. You want to take a calculated risk, not one that leads to people saying 'yes, but there was that one time when she made that big mistake.' It's always a shame when that happens, especially if you've gotten by for decades without anything hugely tragic.
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I enjoy the more floaty, exposed, elegant singing.
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Your brain has a music room, and evolution would not have gone to the trouble of designing that if it didn't have some benefits. So, that suggests to me that we and our ancestors have had music as a central part of our experience for eons. And we're just beginning to understand how that might be. I think that's fascinating.
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Contrary to the norm, as my technique improved my voice became higher.
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My worry is that opera will become an historic art form as opposed to a living, breathing thing.
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I haven't really been able to transfer into that extraordinarily other worldly creature, other than I hope on stage.
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Well, any time Im preparing for a performance or even a rehearsal, its as if in a way, like any other athletes, these are muscles that support the vocal cords which are just I believe cartilage. It demands a kind of constant warming up and a constant feeling of where is the voice today.
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The student's job is to stay open-minded, to quell the knee-jerk defensiveness we all possess in the face of suggestions for improvement, and to maintain patience when faced with a process that is often slow, confusing, and frustrating.
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