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Chefs have a new opportunity - and perhaps even an obligation - to inform the public about what is good to eat, and why.

Rene Redzepi

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Rene Redzepi
Age: 46
Born: 1977
Born: December 16
Chef
Cook
Restaurateur
København
Rene Redzepi
Chef
Obligation
Perhaps
Public
Opportunity
Even
Good
Chefs
Inform

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I know every movement of my kitchen.
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The drive for working comes from everyday moments - the thrill of experiencing a young cook succeeding in what they thought was an impossible job, as well as guests being happy. I also love the unknown - discovering new things and trying to make sense of them.
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Close interaction with farmers and scientists can expose the chef to new flavours that can be used to delight diners.
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I had turned down other head chef jobs. I didn't want to take over someone else's cuisine. I wanted to start from scratch.
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Fine dining is an occasional treat for most people.
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I only have the restaurant. If I do other things, it's only to do with the restaurant.
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If you see how a plant grows and you taste it in situ you have a perfect example of how it should taste on the plate.
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When you start at catering college, nobody prepares you for a book tour or public speaking.
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Learning about issues such as sustainability and locavorism are things that you need to have as part of you as a chef because it will make you cook more delicious food.
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There is no conflict between a better meal and a better world.
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People will travel anywhere for good food - it's crazy.
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I'm a bit of a glutton - I eat too much of all that is good to eat.
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Summer's the same, autumn is even more extreme. Then winter is when you sort of condense all of your ideas. You process all these things and you try to look for new concepts. In that sense, your intuition is in hibernation. What you fill up is your imagination you fill up your memories there.
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I think that in our part of the world, Scandinavia, we are one of the pioneers of showing that gastronomy can be something - high gastronomy can be something very, very present and doesnt have to involve, you know, what is perceived as the normal luxury items that belong in a high gastronomy restaurant.
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I still cook at home. A lot of chefs I think don't cook at home. But I still do, I love cooking at home, I love having friends.
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There's no media training. In cooking school, there's not even manager training. You learn the fundamentals of cooking. Everything else is learning by doing.
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The restaurant industry is brutal.
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I can't crack jokes because I don't have any.
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All of the people who work in the kitchen with me go out into the forests and on to the beach. It's a part of their job. If you work with me you will often be starting your day in the forest or on the shore because I believe foraging will shape you as a chef.
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A gastronomical supermeal didn't necessarily have to involve the things I had brought from other top kitchens.
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