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You need to look at inequality as a typical condition of modern society.

Rem Koolhaas

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Rem Koolhaas
Age: 81
Born: 1944
Born: January 1
Architect
Urban Planner
Writer
R'dam
Remment Lucas Koolhaas
Remment Koolhaas
Looks
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Typical
Needs
Inequality
Condition
Conditions
Modern
Society
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The acceptance of certain realities doesn't preclude idealism. It can lead to certain breakthroughs.
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Manhattan has no choice but the skyward extrusion of the Grid itself only the Skyscraper offers business the wide-open spaces of a man-made Wild West, a frontier in the sky.
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Lagos was the ultimate dysfunctional city - but actually, in terms of all the initiatives and ingenuity, it mobilised an incredibly beautiful, almost utopian landscape of independence and agency.
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As more and more architecture is finally unmasked as the mere organization of flow - shopping centers, airports - it is evident that circulation is what makes or breaks public architecture.
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We live in an almost perfect stillness and work with incredible urgency.
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Our office acts like a kind of educational establishment and we are very careful who we educate.
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The stronger the identity, the more it imprisons, the more it resists expansion, interpretation, renewal, contradiction.
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In this branch of utopian real estate, architecture is no longer the art of designing buildings so much as the brutal skyward extrusion of whatever site the developer has managed to assemble.
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I like fashion, whether or not it's overpriced, because it creates a sense of the sublime with relatively few means.
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A building has at least two lives - the one imagined by its maker and the life it lives afterward - and they are never the same.
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Miami Beach is a completely interesting hybrid because it is, on the one hand, a resort and, on the other hand, a real city. This condition of city and water on two sides I think is really amazing. And in the heart of that city, it has put an enormous convention center, an enormous physical presence.
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Nigeria [in 1990] was all rumour, an unbelievable amount of rumour - largely about crime and almost mythical manifestations of evil.
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Manhattan has generated a shameless architecture that has been loved in direct proportion to its defiant lack of self-hatred, has been respected exactly to the degree that it went too far.
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Our society can no longer tolerate ugliness. You see that in cars, sofas and women. [But] ugliness also has a right to exist.
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Beauty isn't what I'm primarily interested in [in architecture]. I think appropriateness is more important.
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That has been my entire life story. Running against the current and running with the current. Sometimes running with the current is underestimated. The acceptance of certain realities doesn’t preclude idealism. It can lead to certain breakthroughs.
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We discovered a person in Lagos who had a fish stall, and within a single square metre she carried two children all the way to Harvard. She supported an unbelievable escape of her children into education. In that sense it was a city completed pixillated, and every pixel contained amazing stories.
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We say we want to create beauty, identity, quality, singularity. And yet, maybe in truth these cities that we have are desired. Maybe their very characterlessness provides the best context for living.
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Designs are increasingly winning competitions because they are literally green, and because somewhere they feature a small windmill.
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Architects work in two ways. One is to respond precisely to a client's needs or demands. Another is to look at what the client asks and reinterpret it.
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