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Nigeria [in 1990] was all rumour, an unbelievable amount of rumour - largely about crime and almost mythical manifestations of evil.
Rem Koolhaas
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Rem Koolhaas
Age: 80
Born: 1944
Born: January 1
Architect
Urban Planner
Writer
R'dam
Remment Lucas Koolhaas
Remment Koolhaas
Manifestation
Crime
Rumour
Amount
Rumours
Almost
Mythical
Evil
Manifestations
Nigeria
Unbelievable
Largely
More quotes by Rem Koolhaas
The luxury of our position now is that we can almost assemble any team to address any issue.
Rem Koolhaas
Each building has to be beautiful, but cheap and fast, but it lasts forever. That is already an incredible battery of seemingly contradictory demands. So yes, I'm definitely perhaps contradictory person, but I operate in very contradictory times.
Rem Koolhaas
We discovered a person in Lagos who had a fish stall, and within a single square metre she carried two children all the way to Harvard. She supported an unbelievable escape of her children into education. In that sense it was a city completed pixillated, and every pixel contained amazing stories.
Rem Koolhaas
The great problem of the concert hall is that the shoebox is the ideal shape for acoustics but that no architect worth their names wants to build a shoebox.
Rem Koolhaas
The stronger the identity, the more it imprisons, the more it resists expansion, interpretation, renewal, contradiction.
Rem Koolhaas
There's nothing Dutch about my architecture.
Rem Koolhaas
Let's put it this way: One can be happy or unhappy in a building. But some buildings make us more depressed than others.
Rem Koolhaas
Architecture is a hazardous mixture of omnipotence and impotence. It is by definition a c h a o t i c a d v e n t u r e... In other words, the utopian enterprise.
Rem Koolhaas
There's something really interesting about current urbanism: the only model is the universal model, and there is increasingly incapacity to consider the virtues and the qualities that are there, and then to build on them. The only thing is complete transformation.
Rem Koolhaas
There is no plateau of resting or stabilising. Once you are interested in how things evolve, you have a kind of never-ending perspective, because it means you are interested in articulating the evolution, and therefore the potential change, the potential redefinition.
Rem Koolhaas
We say we want to create beauty, identity, quality, singularity. And yet, maybe in truth these cities that we have are desired. Maybe their very characterlessness provides the best context for living.
Rem Koolhaas
Manhattan has generated a shameless architecture that has been loved in direct proportion to its defiant lack of self-hatred, has been respected exactly to the degree that it went too far.
Rem Koolhaas
Sustainability has become an ornament.
Rem Koolhaas
When air conditioning, escalators, and advertising appeared, shopping expanded its scale, but also limited its spontaneity. And it became much more predictable, almost scientific. What had once been the most surprising became the most manipulated.
Rem Koolhaas
Our office acts like a kind of educational establishment and we are very careful who we educate.
Rem Koolhaas
Not many architects have the luxury to reject significant things.
Rem Koolhaas
I am incredibly bad at predicting the future I am only smart enough to observe the present and listen to my intuition about tendencies.
Rem Koolhaas
We live in an almost perfect stillness and work with incredible urgency.
Rem Koolhaas
The thing is that I have a really intense, almost compulsive need to record. But it doesn't end there, because what I record is somehow transformed into a creative thing. There is a continuity. Recording is the beginning of a conceptual production. I am somehow collapsing the two - recording and producing - into a single event.
Rem Koolhaas
Miami Beach is a completely interesting hybrid because it is, on the one hand, a resort and, on the other hand, a real city. This condition of city and water on two sides I think is really amazing. And in the heart of that city, it has put an enormous convention center, an enormous physical presence.
Rem Koolhaas