Quote

Architects work in two ways. One is to respond precisely to a client's needs or demands. Another is to look at what the client asks and reinterpret it.

Rem Koolhaas

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Rem Koolhaas
Age: 80
Born: 1944
Born: January 1
Architect
Urban Planner
Writer
R'dam
Remment Lucas Koolhaas
Remment Koolhaas
Way
Ways
Architects
Asks
Client
Another
Clients
Two
Architect
Look
Precisely
Looks
Respond
Needs
Demands
Work
Demand
Reinterpret

More quotes by Rem Koolhaas

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I am incredibly bad at predicting the future I am only smart enough to observe the present and listen to my intuition about tendencies.
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The Metropolis strives to reach a mythical point where the world is completely fabricated by man, so that it absolutely coincides with his desires.
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You need to look at inequality as a typical condition of modern society.
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Our society can no longer tolerate ugliness. You see that in cars, sofas and women. [But] ugliness also has a right to exist.
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The luxury of our position now is that we can almost assemble any team to address any issue.
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Nigeria [in 1990] was all rumour, an unbelievable amount of rumour - largely about crime and almost mythical manifestations of evil.
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Architecture is a rare collective profession: it's always exercised by groups. There is an essential modesty, which is a complete contradiction to the notion of a star.
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The word 'celebrity' and the word 'architect' are basically incompatible.
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Asia is still dominated by skyscrapers. I hope that, in European cities, it will become a declining trend. They were almost never necessary.
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The thing is that I have a really intense, almost compulsive need to record. But it doesn't end there, because what I record is somehow transformed into a creative thing. There is a continuity. Recording is the beginning of a conceptual production. I am somehow collapsing the two - recording and producing - into a single event.
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In this branch of utopian real estate, architecture is no longer the art of designing buildings so much as the brutal skyward extrusion of whatever site the developer has managed to assemble.
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Prada is extremely directed in terms of communicating what they like and what they don't like. That is actually extremely pleasant because it clarifies very easily what you can do and what you need to do.
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The stronger the identity, the more it imprisons, the more it resists expansion, interpretation, renewal, contradiction.
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Manhattan has generated a shameless architecture that has been loved in direct proportion to its defiant lack of self-hatred, has been respected exactly to the degree that it went too far.
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Journalists seem mostly interested in what brand of shoes I wear.
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We say we want to create beauty, identity, quality, singularity. And yet, maybe in truth these cities that we have are desired. Maybe their very characterlessness provides the best context for living.
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I like fashion, whether or not it's overpriced, because it creates a sense of the sublime with relatively few means.
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There's nothing Dutch about my architecture.
Rem Koolhaas
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When shopping was still connected to the street it was also an intensification and articulation of the street. Now it has become utterly independent - contained, controlled, surveyed.
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We live in an almost perfect stillness and work with incredible urgency.
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