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There is no plateau of resting or stabilising. Once you are interested in how things evolve, you have a kind of never-ending perspective, because it means you are interested in articulating the evolution, and therefore the potential change, the potential redefinition.

Rem Koolhaas

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Rem Koolhaas
Age: 80
Born: 1944
Born: January 1
Architect
Urban Planner
Writer
R'dam
Remment Lucas Koolhaas
Remment Koolhaas
Mean
Evolve
Kind
Potential
Things
Evolution
Never
Perspective
Redefinition
Therefore
Plateau
Interested
Articulating
Means
Resting
Change
Ending

More quotes by Rem Koolhaas

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Journalists seem mostly interested in what brand of shoes I wear.
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We say we want to create beauty, identity, quality, singularity. And yet, maybe in truth these cities that we have are desired. Maybe their very characterlessness provides the best context for living.
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Our office acts like a kind of educational establishment and we are very careful who we educate.
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When shopping was still connected to the street it was also an intensification and articulation of the street. Now it has become utterly independent - contained, controlled, surveyed.
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Architecture is a hazardous mixture of omnipotence and impotence. It is by definition a c h a o t i c a d v e n t u r e... In other words, the utopian enterprise.
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Architecture is a dangerous mix of power and importance.
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You need to look at inequality as a typical condition of modern society.
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Architects work in two ways. One is to respond precisely to a client's needs or demands. Another is to look at what the client asks and reinterpret it.
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Infrastructure is much more important than architecture.
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Asia is still dominated by skyscrapers. I hope that, in European cities, it will become a declining trend. They were almost never necessary.
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A building has at least two lives - the one imagined by its maker and the life it lives afterward - and they are never the same.
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The stronger the identity, the more it imprisons, the more it resists expansion, interpretation, renewal, contradiction.
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The acceptance of certain realities doesn't preclude idealism. It can lead to certain breakthroughs.
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The word 'celebrity' and the word 'architect' are basically incompatible.
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Prada is extremely directed in terms of communicating what they like and what they don't like. That is actually extremely pleasant because it clarifies very easily what you can do and what you need to do.
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The Metropolis strives to reach a mythical point where the world is completely fabricated by man, so that it absolutely coincides with his desires.
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I like fashion, whether or not it's overpriced, because it creates a sense of the sublime with relatively few means.
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There's something really interesting about current urbanism: the only model is the universal model, and there is increasingly incapacity to consider the virtues and the qualities that are there, and then to build on them. The only thing is complete transformation.
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The great problem of the concert hall is that the shoebox is the ideal shape for acoustics but that no architect worth their names wants to build a shoebox.
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We live in an almost perfect stillness and work with incredible urgency.
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