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I always just wanted to have enough to carry on. I never had ambitions to take over the world or be a global enterprise. But I wanted to have a strong business in order to do the main objective.
Rei Kawakubo
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Rei Kawakubo
Age: 82
Born: 1942
Born: October 11
Businessperson
Designer
Fashion Designer
Personal Stylist
City of Tokyo
Comme des Garçons
Kawakubo
Kawakubo Rei
Strong
Objective
Order
Objectives
Wanted
Enterprise
Take
Main
Enough
Global
Always
Carry
Never
Ambition
World
Business
Ambitions
More quotes by Rei Kawakubo
My energy comes from freedom and a rebellious spirit.
Rei Kawakubo
In Comme des Garçons, I hardly do any sketches there's no fittings on bodies, there's no models that come in and say, Oh, a little bit like this. In the beginning, there isn't even a theme. It's like getting the whole world at your feet - to empty your mind of everything that's ever happened before, to get an empty space.
Rei Kawakubo
The freedom I give myself for the business is in deciding to take part in the Paris collections, but also having other retail strategies that are unlike anybody else's. Not necessarily going into malls, doing the business my own way - having different brands to cover different concepts, to be able to have the cash flow to carry on.
Rei Kawakubo
Fashion is not art. The aims of fashion and art are different and there is no need to compare them.
Rei Kawakubo
There's always a pattern in order to make a thing, but the starting point must be something I've never seen before. It's not two-dimensional, but it's like a sample. I work with patterns like a sculptor. I try to get [the team] not to work on a body, [but] to work on a free space, on a table. The work is basically on flat surfaces.
Rei Kawakubo
I don't feel too excited about fashion today People just want cheap fast clothes and are happy to look like everyone else
Rei Kawakubo
In the sense that anarchy equals freedom, yes. Anarchy means freedom, but it also means chaos.
Rei Kawakubo
If you have total freedom to design, you won't get anything interesting. So I give myself restraints in order to kind of push myself through, to create something new. It's the torture that I give myself, the pain and the struggle that I go through. So it's self-given, but that's the only way, I think, to make a strong, good new creation.
Rei Kawakubo
For something to be beautiful it doesn’t have to be pretty.
Rei Kawakubo
Most of the things I read from journalists are, you know, a little bit simplified and easy.
Rei Kawakubo
I've always said that growing up in postwar Japan, I never felt any connection to my work through those experiences. The work I do really comes from inside myself. For me, being born in Japan was an accident.
Rei Kawakubo
I haven't yet made clothes that I have been totally satisfied with, and maybe I never will.
Rei Kawakubo
It would have more meaning for me to hear what critics have to say if their values and their ways of living were deeper and more serious.
Rei Kawakubo
Feeling free inside oneself is being free.
Rei Kawakubo
You can tell if it's a good collection if people are afraid of it. In ten years, everyone will love it.
Rei Kawakubo
For me, creation can only come out of a certain kind of unhappiness. They say in Japan, this thing like the hungry spirit - the hungry mind - is what gets you going forward.
Rei Kawakubo
I make clothes for a woman who is not swayed by what her husband thinks.
Rei Kawakubo
The more people that are afraid when they see new creation, the happier I am.
Rei Kawakubo
I work in three shades of black.
Rei Kawakubo
I identified very much with punk, not only in the fashion sector, but in every other sector. The very nature of doing something new and free meant something that was against authority.
Rei Kawakubo