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I've always said that growing up in postwar Japan, I never felt any connection to my work through those experiences. The work I do really comes from inside myself. For me, being born in Japan was an accident.

Rei Kawakubo

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Rei Kawakubo
Age: 82
Born: 1942
Born: October 11
Businessperson
Designer
Fashion Designer
Personal Stylist
City of Tokyo
Comme des Garçons
Kawakubo
Kawakubo Rei
Felt
Connection
Work
Accidents
Really
Connections
Always
Experiences
Never
Inside
Growing
Postwar
Born
Accident
Comes
Japan

More quotes by Rei Kawakubo

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I don't think of myself as anyone special, and I would not know how to define myself.
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I don't feel too excited about fashion today People just want cheap fast clothes and are happy to look like everyone else
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My energy comes from freedom and a rebellious spirit.
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Beauty is whatever anyone thinks is beautiful.
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I work in three shades of black.
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If you have total freedom to design, you won't get anything interesting. So I give myself restraints in order to kind of push myself through, to create something new. It's the torture that I give myself, the pain and the struggle that I go through. So it's self-given, but that's the only way, I think, to make a strong, good new creation.
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I haven't yet made clothes that I have been totally satisfied with, and maybe I never will.
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There's always a pattern in order to make a thing, but the starting point must be something I've never seen before. It's not two-dimensional, but it's like a sample. I work with patterns like a sculptor. I try to get [the team] not to work on a body, [but] to work on a free space, on a table. The work is basically on flat surfaces.
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Fashion is not art. The aims of fashion and art are different and there is no need to compare them.
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In Comme des Garçons, I hardly do any sketches there's no fittings on bodies, there's no models that come in and say, Oh, a little bit like this. In the beginning, there isn't even a theme. It's like getting the whole world at your feet - to empty your mind of everything that's ever happened before, to get an empty space.
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What you wear can largely govern your feelings and your emotions, and how you look influences the way people regard you. So fashion plays an important role on both the practical level and the aesthetic level of activity.
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Feeling free inside oneself is being free.
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I make clothes for a woman who is not swayed by what her husband thinks.
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There are no limits - I endeavor to make clothes that didn't exist before.
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I'd make my whole collection with just one square of fabric. I wouldn't do anything else everything had to be made from one square. This is just one example.
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I identified very much with punk, not only in the fashion sector, but in every other sector. The very nature of doing something new and free meant something that was against authority.
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I can't become naked for everybody. It's never going to be possible for the person to write the whole story completely, so I find bits of myself, bits of what I think in some articles. And I don't give lip service to journalists. I never make them feel comfortable. I say, It's your job to make the story.
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I always just wanted to have enough to carry on. I never had ambitions to take over the world or be a global enterprise. But I wanted to have a strong business in order to do the main objective.
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