Quote

There's something about trying to know when you really need to protect yourself, or else you're not going to get anything done, and sometimes to be really uncomfortable or agitated or annoyed or bored. Boredom is so important.

Regina Spektor

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Regina Spektor
Age: 44
Born: 1980
Born: February 18
Composer
Guitarist
Lyricist
Musician
Pianist
Singer
Singer-Songwriter
Moscow
Russian SFSR
Really
Need
Agitated
Done
Annoyed
Sometimes
Boredom
Important
Uncomfortable
Needs
Bored
Trying
Protect
Going
Else
Something
Anything

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No one's laughing at God -We're all laughing with God.
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You decide if you're ready for something. It can come in the guise of, Oh, I don't think I like this.
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Its not like I have all the answers.
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Love is the answer to a question that I have forgotten
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Every morning I wake up with a purpose and a smirk
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I would really hate it if I could call up Kafka or Hemingway or Salinger and any question I could throw at them they would have an answer. That's the magic when you read or hear something wonderful - there's no one that has all the answers.
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I also don't like to make really big records, because I feel then that the songs don't get enough space to be themselves, so I would never want to make a record that's like seventeen songs.
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The world that has made us can no longer contain us
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I think that so many people don't understand how easy it is to be broke, how easy it is to find yourself in a situation where you're in an absolutely foreign place.
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The other day I was down by the Hudson River, and I see two nuns in full habit rollerblading down the street holding hands. And I'm like, 'Oh, my God, I get it. The world is surreal and beautiful. And everything is fine.'
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As you get older as an animal on the planet, you want to get a little more comfortable, you want to get cozier.
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I am very close with my parents, they are very amazing, so loving, so cool, and really valued art.
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I just like being all over the place and writing whatever comes to mind. Having the tools? It's such a gift.
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Even if you're an observer of a story that you yourself made up, you're still very much connected to it. You love it and feel it, no less than somebody's who's writing from their direct 'I' or 'me.' I'm just so much more interesting in stories than confessions.
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This is how it works You peer inside yourself You take the things you like And try to love the things you took And then you take that love you made And stick it into some Someone else's heart Pumping someone else's blood.
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I'd always wanted to work in the studio and experiment with sounds. Things that I'm really influenced by and that I love are like The Beatles and Radiohead, and all those records by bands whose music is really involved.
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You make something, and you really have fun with it, and you try to put emotion in it, and at the end of the day, you have no idea how the tide is going to fall. You don't know if everyone's going to like it, if everyone's going to hate it, if it's going to be like you're a media darling, or all of a sudden you're a sellout. You have no idea.
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I have this obsession with the '80s because I missed all of it.
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I've been thinking a lot about space. It was one of those slow-motion realisations how little we are, how far we are from everything else in our solar system. This idea of distance started kind of haunting me. How do you go forth and accomplish things but not end up leaving everything you started out with in the dust?
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All the monsters in your mind just want to be nice. They want to be kind. They want to play nice. They want to be softer than the storms around. You feel them through the windows and the doors.
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