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That's what I'm trying to get over: the idea that anarchism offers a description of equitable relations that go way back rather than a hypothesis of what the future should look like.

Rebecca Solnit

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Rebecca Solnit
Age: 63
Born: 1961
Born: June 26
Art Historian
Author
Environmentalist
Journalist
Writer
Bridgeport
Connecticut
Way
Rather
Like
Future
Equitable
Idea
Anarchism
Back
Hypothesis
Ideas
Description
Look
Relations
Looks
Relation
Trying
Offers

More quotes by Rebecca Solnit

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Globally, as the nation-state becomes increasingly less meaningful - a provider of positive goods and more and more just an army and some domestic enforcement - people are withdrawing to shape and support more localised forms of organisation and power. To the extent that it's part of that civilised and localising world, the same is true of the U.S.
Rebecca Solnit
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We treat desire as a problem to be solved, address what desire is for and focus on that something and how to acquire it rather than on the nature and the sensation of desire, though often it is the desire between us and the object of desire that fills the space in between with the blue of longing.
Rebecca Solnit
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Pain serves a purpose. Without it you are in danger. What you cannot feel you cannot take care of.
Rebecca Solnit
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To lose yourself: a voluptuous surrender, lost in your arms, lost to the world, utterly immersed in what is present so that its surroundings fade away. In Benjamin’s terms, to be lost is to be fully present, and to be fully present is to be capable of being in uncertainty and mystery.
Rebecca Solnit
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The magic of the street is the mingling of the errand and the epiphany.
Rebecca Solnit
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A lone peak of high point is a natural focal point in the landscape, something by which both travelers and local orient themselves. In the continuum of landscape, mountains are discontinuity -- culminating in high points, natural barriers, unearthly earth.
Rebecca Solnit
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Walking allows us to be in our bodies and in the world without being made busy by them.
Rebecca Solnit
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Revolution is as unpredictable as an earthquake and as beautiful as spring. Its coming is always a surprise, but its nature should not be.
Rebecca Solnit
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I was fifteen, and when I picture myself then, I see flames shooting up, see myself falling off the edge of the world, and am amazed I survived not the outside world but the inside one.
Rebecca Solnit
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The present rearranges the past. We never tell the story whole because a life isn't a story it's a whole Milky Way of events and we are forever picking out constellations from it to fit who and where we are.
Rebecca Solnit
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We are moving into a world of unaccountable and secretive corporations that manage all our communications and work hand in hand with governments to make us visible to them. Our privacy is being strip-mined and hoarded.
Rebecca Solnit
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The subject of walking is, in some sense, about how we invest universal acts with particular meanings. Like eating or breathing, it can be invested with wildly different cultural meanings, from the erotic to the spiritual, from the revolutionary to the artistic.
Rebecca Solnit
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Walking . . . is how the body measures itself against the earth.
Rebecca Solnit
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Given a choice between their worldview and the facts, it's always interesting how many people toss the facts.
Rebecca Solnit
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A book is a heart that only beats in the chest of another.
Rebecca Solnit
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In the aftermath of 9/11, people had not a good time, but a deep, profound, rousing time, woke up from their ennui and isolation and trivialization to feel engaged, connected, purposeful, ready to give, to engage, to care, to learn.
Rebecca Solnit
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In great cities, spaces as well as places are designed and built: walking, witnessing, being in public, are as much part of the design and purpose as is being inside to eat, sleep, make shoes or love or music. The word citizen has to do with cities, and the ideal city is organized around citizenship -- around participation in public life.
Rebecca Solnit
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Never to get lost is not to live, not to know how to get lost brings you to destruction.
Rebecca Solnit
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The poet Marianne Moore famously wrote of 'real toads in imaginary gardens,' and the labyrinth offers us the possibility of being real creatures in symbolic space...In such spaces as the labyrinth we cross over [between real and imaginary spaces] we are really travelling, even if the destination is only symbolic.
Rebecca Solnit
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Every walker is a guard on patrol to protect the ineffable.
Rebecca Solnit