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The power of large corporations is still a scourge on the earth, but at least the arguments supporting them are undermined now.

Rebecca Solnit

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Rebecca Solnit
Age: 63
Born: 1961
Born: June 26
Art Historian
Author
Environmentalist
Journalist
Writer
Bridgeport
Connecticut
Least
Stills
Undermined
Power
Scourge
Earth
Supporting
Still
Arguments
Corporations
Argument
Large

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People are actually very good at being communists in the sense that they instantly abandon capitalism, that they love these relationships of mutual aid, because the astonishing thing about disasters is that people are often weirdly joyous in them, because they've recovered a sense of agency, a sense of power, etc.
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Given a choice between their worldview and the facts, it's always interesting how many people toss the facts.
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The famous Zen parable about the master for whom, before his studies, mountains were only mountains, but during his studies mountains were no longer mountains, and afterward mountains were again mountains could be interpreted as an alleory about [the perpetual paradox that when one is closest to a destination one is also the farthest).
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Books are solitudes in which we meet.
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We fly we dream in darkness we devour heaven in bites too small to be measured.
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Think of civil society and the state as joined in a marriage of necessity. You already know who the wife is, the one who is supposed to love, cherish and obey: that's civil society. Think of the state as the domineering husband who expects to have a monopoly on power, on violence, on planning and policymaking.
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Globally, as the nation-state becomes increasingly less meaningful - a provider of positive goods and more and more just an army and some domestic enforcement - people are withdrawing to shape and support more localised forms of organisation and power. To the extent that it's part of that civilised and localising world, the same is true of the U.S.
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It's all about a war of social impulses and beliefs that is as powerful in its way as a big hurricane.
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A place is a story, and stories are geography, and empathy is first of all an act of imagination, a storyteller's art, and then a way of traveling from here to there.
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While a lot of people want to join the left to react against the mainstream or right, I in many ways react against the left - not a lot of its fundamental commitments, but its often dismal tone, righteousness, defeatism, etc.
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What gets called 'the sixties' left a mixed legacy and a lot of divides. But it opened everything to question, and what seems the most fundamental and most pervasive in all the ensuing changes is the loss of faith in authority: the authority of government, of science, of patriarchy, of progress, of capitalism, of violence, of whiteness.
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I walk wherever my errands take me.
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We treat desire as a problem to be solved, address what desire is for and focus on that something and how to acquire it rather than on the nature and the sensation of desire, though often it is the desire between us and the object of desire that fills the space in between with the blue of longing.
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As for me, the grounds of my hope have always been that history is wilder than our imagination of it and that the unexpected shows up far more regularly than we ever dream.
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I'm a big fan of the vigor of civil society, political engagement, and public life in many parts of Latin America.
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That's what I'm trying to get over: the idea that anarchism offers a description of equitable relations that go way back rather than a hypothesis of what the future should look like.
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Violence doesn't have a race, a class, a religion, or a nationality, but it does have a gender.
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The poet Marianne Moore famously wrote of 'real toads in imaginary gardens,' and the labyrinth offers us the possibility of being real creatures in symbolic space...In such spaces as the labyrinth we cross over [between real and imaginary spaces] we are really travelling, even if the destination is only symbolic.
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Walking . . . is how the body measures itself against the earth.
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Space--as landscape, terrain, spectacle, experience--has vanished.
Rebecca Solnit