Quote

It's all about a war of social impulses and beliefs that is as powerful in its way as a big hurricane.

Rebecca Solnit

Change background

T
T
T

Change font

TAGS & TOPICS

Rebecca Solnit
Age: 63
Born: 1961
Born: June 26
Art Historian
Author
Environmentalist
Journalist
Writer
Bridgeport
Connecticut
Beliefs
Impulse
Belief
Powerful
Bigs
War
Hurricane
Social
Impulses
Way
Hurricanes

More quotes by Rebecca Solnit

Image
Modern life is moving faster than the speed of thought, or thoughtfulness.
Rebecca Solnit
Image
Pain serves a purpose. Without it you are in danger. What you cannot feel you cannot take care of.
Rebecca Solnit
Image
Growing up north of San Francisco, I immersed myself in the local landscape and in books about Native Americans, cowboys, and pioneers that seemed to ground me in it, but to pursue culture in those days meant being spun around until dizzy and then pushed east.
Rebecca Solnit
Image
Every walker is a guard on patrol to protect the ineffable.
Rebecca Solnit
Image
The poet Marianne Moore famously wrote of 'real toads in imaginary gardens,' and the labyrinth offers us the possibility of being real creatures in symbolic space...In such spaces as the labyrinth we cross over [between real and imaginary spaces] we are really travelling, even if the destination is only symbolic.
Rebecca Solnit
Image
For [Jane Austen and the readers of Pride and Prejudice], as for Mr. Darcy, [Elizabeth Bennett's] solitary walks express the independence that literally takes the heroine out of the social sphere of the houses and their inhabitants, into a larger, lonelier world where she is free to think: walking articulates both physical and mental freedom.
Rebecca Solnit
Image
Politics is pervasive. Everything is political and the choice to be apolitical is usually just an endorsement of the status quo and the unexamined life.
Rebecca Solnit
Image
To lose yourself: a voluptuous surrender, lost in your arms, lost to the world, utterly immersed in what is present so that its surroundings fade away. In Benjamin’s terms, to be lost is to be fully present, and to be fully present is to be capable of being in uncertainty and mystery.
Rebecca Solnit
Image
In a sense the car has become a prosthetic, and though prosthetics are usually for injured or missing limbs, the auto-prosthetic is for a conceptually impaired body or a body impaired by the creation of a world that is no longer human in scale.
Rebecca Solnit
Image
Globally, as the nation-state becomes increasingly less meaningful - a provider of positive goods and more and more just an army and some domestic enforcement - people are withdrawing to shape and support more localised forms of organisation and power. To the extent that it's part of that civilised and localising world, the same is true of the U.S.
Rebecca Solnit
Image
Walking allows us to be in our bodies and in the world without being made busy by them.
Rebecca Solnit
Image
I grew up with landscape as a recourse, with the possibility of exiting the horizontal realm of social relations for a vertical alignment with earth and sky, matter and spirit. Vast open spaces speak best to this craving, the spaces I myself first found in the desert and then in the western grasslands.
Rebecca Solnit
Image
Stories are compasses and architecture, we navigate by them, we build our sanctuaries and our prisons out of them, and to be without a story is to be lost in the vastness of a world that spreads in all directions like arctic tundra or sea ice.
Rebecca Solnit
Image
Never to get lost is not to live, not to know how to get lost brings you to destruction.
Rebecca Solnit
Image
People are actually very good at being communists in the sense that they instantly abandon capitalism, that they love these relationships of mutual aid, because the astonishing thing about disasters is that people are often weirdly joyous in them, because they've recovered a sense of agency, a sense of power, etc.
Rebecca Solnit
Image
Never turn down an adventure without a really good reason.
Rebecca Solnit
Image
The famous Zen parable about the master for whom, before his studies, mountains were only mountains, but during his studies mountains were no longer mountains, and afterward mountains were again mountains could be interpreted as an alleory about [the perpetual paradox that when one is closest to a destination one is also the farthest).
Rebecca Solnit
Image
I'm a big fan of the vigor of civil society, political engagement, and public life in many parts of Latin America.
Rebecca Solnit
Image
Violence doesn't have a race, a class, a religion, or a nationality, but it does have a gender.
Rebecca Solnit
Image
The subject of walking is, in some sense, about how we invest universal acts with particular meanings. Like eating or breathing, it can be invested with wildly different cultural meanings, from the erotic to the spiritual, from the revolutionary to the artistic.
Rebecca Solnit