Quote

We are often in two places at once. In fact we are usually in at least two places and occasionally the contrast is evident....Here, most often, is nothing more than the best perspective to contemplate there.

Rebecca Solnit

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Rebecca Solnit
Age: 63
Born: 1961
Born: June 26
Art Historian
Author
Environmentalist
Journalist
Writer
Bridgeport
Connecticut
Often
Occasionally
Facts
Evident
Two
Contrast
Best
Perspective
Nothing
Places
Usually
Least
Contemplate
Fact
Contemplating

More quotes by Rebecca Solnit

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They are all beasts of burden in a sense, ' Thoreau once remarked of animals, 'made to carry some portion of our thoughts.' Animals are the old language of the imagination one of the ten thousand tragedies of their disappearance would be a silencing of this speech.
Rebecca Solnit
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Solitude in the city is about the lack of other people or rather their distance beyond a door or wall, but in remote places it isn’t an absence but the presence of something else, a kind of humming silence in which solitude seems as natural to your species as to any other, words strange rocks you may or may not turn over.
Rebecca Solnit
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The great majority of people are calm, resourceful, altruistic or even beyond altruistic, as they risk themselves for others. We improvise the conditions of survival beautifully.
Rebecca Solnit
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A path is a prior interpretation of the best way to traverse a landscape.
Rebecca Solnit
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In the aftermath of 9/11, people had not a good time, but a deep, profound, rousing time, woke up from their ennui and isolation and trivialization to feel engaged, connected, purposeful, ready to give, to engage, to care, to learn.
Rebecca Solnit
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We are moving into a world of unaccountable and secretive corporations that manage all our communications and work hand in hand with governments to make us visible to them. Our privacy is being strip-mined and hoarded.
Rebecca Solnit
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Never to get lost is not to live, not to know how to get lost brings you to destruction.
Rebecca Solnit
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I walk wherever my errands take me.
Rebecca Solnit
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Every minute of every hour of every day you are making the world, just as you are making yourself, and you might as well do it with generosity and kindness and style.
Rebecca Solnit
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The magic of the street is the mingling of the errand and the epiphany.
Rebecca Solnit
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The power of large corporations is still a scourge on the earth, but at least the arguments supporting them are undermined now.
Rebecca Solnit
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I'm grateful that, after an early life of being silenced, sometimes violently, I grew up to have a voice, circumstances that will always bind me to the rights of the voiceless.
Rebecca Solnit
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[On the] question of why we might want to look at images even more than the real thing: I think there is some quality when you look at an image of, not only seeing this thing, whether it's the horse or the sky, but you are seeing somebody point at it and say, Look!
Rebecca Solnit
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Credibility is a basic survival tool.
Rebecca Solnit
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For me, childhood roaming was what developed self-reliance, a sense of direction and adventure, imagination, a will to explore, to be able to get a little lost and then figure out the way back.
Rebecca Solnit
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For me, being in a car or on an airplane is like being in limbo. It's this dead zone between two places. But to walk, you're some place that's already interesting. You're not just between places. Things are happening.
Rebecca Solnit
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Italian cities have long been held up as ideals, not least by New Yorkers and Londoners enthralled by the ways their architecture gives beauty and meaning to everyday acts.
Rebecca Solnit
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While a lot of people want to join the left to react against the mainstream or right, I in many ways react against the left - not a lot of its fundamental commitments, but its often dismal tone, righteousness, defeatism, etc.
Rebecca Solnit
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...[Cabeza de Vaca] ceased to be lost not by returning but by turning into something else.
Rebecca Solnit
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In a sense the car has become a prosthetic, and though prosthetics are usually for injured or missing limbs, the auto-prosthetic is for a conceptually impaired body or a body impaired by the creation of a world that is no longer human in scale.
Rebecca Solnit