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I see disaster everywhere I also […] see generosity and resistance everywhere.

Rebecca Solnit

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Rebecca Solnit
Age: 63
Born: 1961
Born: June 26
Art Historian
Author
Environmentalist
Journalist
Writer
Bridgeport
Connecticut
Generosity
Resistance
Disaster
Everywhere
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More quotes by Rebecca Solnit

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As for me, the grounds of my hope have always been that history is wilder than our imagination of it and that the unexpected shows up far more regularly than we ever dream.
Rebecca Solnit
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The poet Marianne Moore famously wrote of 'real toads in imaginary gardens,' and the labyrinth offers us the possibility of being real creatures in symbolic space...In such spaces as the labyrinth we cross over [between real and imaginary spaces] we are really travelling, even if the destination is only symbolic.
Rebecca Solnit
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Never to get lost is not to live, not to know how to get lost brings you to destruction.
Rebecca Solnit
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The positive emotions that arise in...unpromising circumstances demonstrate that social ties and meaningful work are deeply desired, readily improvised, and intensely rewarding. The very structure of our economy and society prevent these goals from being achieved.
Rebecca Solnit
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Violence doesn't have a race, a class, a religion, or a nationality, but it does have a gender.
Rebecca Solnit
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For [Jane Austen and the readers of Pride and Prejudice], as for Mr. Darcy, [Elizabeth Bennett's] solitary walks express the independence that literally takes the heroine out of the social sphere of the houses and their inhabitants, into a larger, lonelier world where she is free to think: walking articulates both physical and mental freedom.
Rebecca Solnit
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The poor have often been subversive just because they don't always believe their own depiction as brutes and loafers and leeches, and new economy is making lots more poor or recognize their fellowship with the insecurity of the poor, the portion of the population for whom the system does not work.
Rebecca Solnit
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The famous Zen parable about the master for whom, before his studies, mountains were only mountains, but during his studies mountains were no longer mountains, and afterward mountains were again mountains could be interpreted as an alleory about [the perpetual paradox that when one is closest to a destination one is also the farthest).
Rebecca Solnit
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People are actually very good at being communists in the sense that they instantly abandon capitalism, that they love these relationships of mutual aid, because the astonishing thing about disasters is that people are often weirdly joyous in them, because they've recovered a sense of agency, a sense of power, etc.
Rebecca Solnit
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A place is a story, and stories are geography, and empathy is first of all an act of imagination, a storyteller's art, and then a way of traveling from here to there.
Rebecca Solnit
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Activism is not a journey to the corner store. It is a plunge into the unknown. The future is always dark.
Rebecca Solnit
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....there are three prerequisites to going out into the world to walk for pleasure. One must have free time, a place to go, and a body unhindered by illness or social restraints.
Rebecca Solnit
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Hope is not like a lottery ticket you can sit on the sofa and clutch, feeling lucky.... hope is an ax you break down doors with in an emergency.
Rebecca Solnit
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You get lost out of a desire to be lost. But in the place called lost strange things are found.
Rebecca Solnit
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I roam around a lot in my territory, but what I learn at one end inflects and opens up my understanding at the other.
Rebecca Solnit
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Every walker is a guard on patrol to protect the ineffable.
Rebecca Solnit
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For me, childhood roaming was what developed self-reliance, a sense of direction and adventure, imagination, a will to explore, to be able to get a little lost and then figure out the way back.
Rebecca Solnit
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There are disasters that are entirely manmade, but none that are entirely natural.
Rebecca Solnit
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Revolution is as unpredictable as an earthquake and as beautiful as spring. Its coming is always a surprise, but its nature should not be.
Rebecca Solnit
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The subject of walking is, in some sense, about how we invest universal acts with particular meanings. Like eating or breathing, it can be invested with wildly different cultural meanings, from the erotic to the spiritual, from the revolutionary to the artistic.
Rebecca Solnit