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We are moving into a world of unaccountable and secretive corporations that manage all our communications and work hand in hand with governments to make us visible to them. Our privacy is being strip-mined and hoarded.

Rebecca Solnit

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Rebecca Solnit
Age: 63
Born: 1961
Born: June 26
Art Historian
Author
Environmentalist
Journalist
Writer
Bridgeport
Connecticut
Make
Visible
Mined
World
Manage
Unaccountable
Communication
Secretive
Hand
Communications
Moving
Strip
Hands
Privacy
Government
Governments
Work
Corporations
Hoarded

More quotes by Rebecca Solnit

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They are all beasts of burden in a sense, ' Thoreau once remarked of animals, 'made to carry some portion of our thoughts.' Animals are the old language of the imagination one of the ten thousand tragedies of their disappearance would be a silencing of this speech.
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For me, childhood roaming was what developed self-reliance, a sense of direction and adventure, imagination, a will to explore, to be able to get a little lost and then figure out the way back.
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A place is a story, and stories are geography, and empathy is first of all an act of imagination, a storyteller's art, and then a way of traveling from here to there.
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We fly we dream in darkness we devour heaven in bites too small to be measured.
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Worry is a way to pretend that you have knowledge or control over what you don't--and it surprises me, even in myself, how much we prefer ugly scenarios to the pure unknown.
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Language is like a road, it cannot be perceived all at once because it unfolds in time, whether heard or read. This narrative or temporal element has made writing and walking resemble each other.
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A book is a heart that only beats in the chest of another.
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I think one of the primary goals of a feminist landscape architecture would be to work toward a public landscape in which we can roam the streets at midnight, in which every square is available for Virginia Woolf to make up her novels
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I see disaster everywhere I also […] see generosity and resistance everywhere.
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In a sense the car has become a prosthetic, and though prosthetics are usually for injured or missing limbs, the auto-prosthetic is for a conceptually impaired body or a body impaired by the creation of a world that is no longer human in scale.
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The poor have often been subversive just because they don't always believe their own depiction as brutes and loafers and leeches, and new economy is making lots more poor or recognize their fellowship with the insecurity of the poor, the portion of the population for whom the system does not work.
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I still think the revolution is to make the world safe for poetry, meandering, for the frail and vulnerable, the rare and obscure, the impractical and local and small.
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Credibility is a basic survival tool.
Rebecca Solnit
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Having the right to show up and speak are basic to survival, to dignity, and to liberty.
Rebecca Solnit
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Growing up north of San Francisco, I immersed myself in the local landscape and in books about Native Americans, cowboys, and pioneers that seemed to ground me in it, but to pursue culture in those days meant being spun around until dizzy and then pushed east.
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[On the] question of why we might want to look at images even more than the real thing: I think there is some quality when you look at an image of, not only seeing this thing, whether it's the horse or the sky, but you are seeing somebody point at it and say, Look!
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I'm grateful that, after an early life of being silenced, sometimes violently, I grew up to have a voice, circumstances that will always bind me to the rights of the voiceless.
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Too many of us seem far too fond of narratives of our powerlessness, maybe because powerlessness lets us off the hook... But we don't need everyone on board we don't need one magic person in office we need ourselves. To act. It's the wind, not the weathervanes.
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Time itself is our tragedy and most of us are fighting some kind of war against it.
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That's what I'm trying to get over: the idea that anarchism offers a description of equitable relations that go way back rather than a hypothesis of what the future should look like.
Rebecca Solnit