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The process of transformation consists mostly of decay.
Rebecca Solnit
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Rebecca Solnit
Age: 63
Born: 1961
Born: June 26
Art Historian
Author
Environmentalist
Journalist
Writer
Bridgeport
Connecticut
Decay
Consists
Mostly
Transformation
Process
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A contrarian at heart, I am often guided by what I disagree with and don't want.
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Every walker is a guard on patrol to protect the ineffable.
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We talk about politicians being in public life, but they seldom appear in the public space where everyone is free to appear as a citizen.
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...[Cabeza de Vaca] ceased to be lost not by returning but by turning into something else.
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....there are three prerequisites to going out into the world to walk for pleasure. One must have free time, a place to go, and a body unhindered by illness or social restraints.
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Pain serves a purpose. Without it you are in danger. What you cannot feel you cannot take care of.
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Italian cities have long been held up as ideals, not least by New Yorkers and Londoners enthralled by the ways their architecture gives beauty and meaning to everyday acts.
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I walk wherever my errands take me.
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I still think the revolution is to make the world safe for poetry, meandering, for the frail and vulnerable, the rare and obscure, the impractical and local and small.
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For me, childhood roaming was what developed self-reliance, a sense of direction and adventure, imagination, a will to explore, to be able to get a little lost and then figure out the way back.
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There is so much information that our ability to focus on any piece of it is interrupted by other information, so that we bathe in information but hardly absorb or analyse it. Data are interrupted by other data before we've thought about the first round, and contemplating three streams of data at once may be a way to think about none of them.
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Having the right to show up and speak are basic to survival, to dignity, and to liberty.
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Time itself is our tragedy and most of us are fighting some kind of war against it.
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People are actually very good at being communists in the sense that they instantly abandon capitalism, that they love these relationships of mutual aid, because the astonishing thing about disasters is that people are often weirdly joyous in them, because they've recovered a sense of agency, a sense of power, etc.
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Language is like a road, it cannot be perceived all at once because it unfolds in time, whether heard or read. This narrative or temporal element has made writing and walking resemble each other.
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You write your books. You scatter your seeds. Rats might eat them, or they might rot. In California, some seeds lie dormant for decades because they only germinate after fire, and sometimes the burned landscape blooms most lavishly.
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In a sense the car has become a prosthetic, and though prosthetics are usually for injured or missing limbs, the auto-prosthetic is for a conceptually impaired body or a body impaired by the creation of a world that is no longer human in scale.
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Never turn down an adventure without a really good reason.
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People rescue each other. They build shelters and community kitchens and ways to deal with lost children and eventually rebuild one way or another.
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There are disasters that are entirely manmade, but none that are entirely natural.
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