Quote

For me, being in a car or on an airplane is like being in limbo. It's this dead zone between two places. But to walk, you're some place that's already interesting. You're not just between places. Things are happening.

Rebecca Solnit

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Rebecca Solnit
Age: 63
Born: 1961
Born: June 26
Art Historian
Author
Environmentalist
Journalist
Writer
Bridgeport
Connecticut
Already
Limbo
Dead
Airplane
Walks
Zone
Interesting
Happenings
Place
Happening
Two
Car
Things
Places
Like
Walk

More quotes by Rebecca Solnit

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Italian cities have long been held up as ideals, not least by New Yorkers and Londoners enthralled by the ways their architecture gives beauty and meaning to everyday acts.
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Revolution is as unpredictable as an earthquake and as beautiful as spring. Its coming is always a surprise, but its nature should not be.
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Every woman who appears wrestles with the forces that would have her disappear. She struggles with the forces that would tell her story for her, or write her out of the story ... The ability to tell your own story, in words or images, is already a victory, already a revolt.
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A place is a story, and stories are geography, and empathy is first of all an act of imagination, a storyteller's art, and then a way of traveling from here to there.
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I'm a big fan of the vigor of civil society, political engagement, and public life in many parts of Latin America.
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No one is born a writer literacy is a peculiar mode of being, but I was all about stories from a very early age, before reading.
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The fight for free space-for wilderness and for public space-must be accompanied by a fight for free time to spend wandering in that space. Otherwise the individual imagination will be bulldozed over for the chain-store outlets of consumer appetite, true-crime titillations, and celebrity crises.
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Every walker is a guard on patrol to protect the ineffable.
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A book is a heart that only beats in the chest of another.
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I'm grateful that, after an early life of being silenced, sometimes violently, I grew up to have a voice, circumstances that will always bind me to the rights of the voiceless.
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Given a choice between their worldview and the facts, it's always interesting how many people toss the facts.
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Growing up north of San Francisco, I immersed myself in the local landscape and in books about Native Americans, cowboys, and pioneers that seemed to ground me in it, but to pursue culture in those days meant being spun around until dizzy and then pushed east.
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A procession is a participants' journey, while a parade is a performance with an audience.
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It's hardly surprising that the corporate aliens lie when it comes to the relationship between doing something about climate change and the economy.
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Globally, as the nation-state becomes increasingly less meaningful - a provider of positive goods and more and more just an army and some domestic enforcement - people are withdrawing to shape and support more localised forms of organisation and power. To the extent that it's part of that civilised and localising world, the same is true of the U.S.
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Hope is not like a lottery ticket you can sit on the sofa and clutch, feeling lucky.... hope is an ax you break down doors with in an emergency.
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....there are three prerequisites to going out into the world to walk for pleasure. One must have free time, a place to go, and a body unhindered by illness or social restraints.
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Stories are compasses and architecture, we navigate by them, we build our sanctuaries and our prisons out of them, and to be without a story is to be lost in the vastness of a world that spreads in all directions like arctic tundra or sea ice.
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I think one of the primary goals of a feminist landscape architecture would be to work toward a public landscape in which we can roam the streets at midnight, in which every square is available for Virginia Woolf to make up her novels
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We are often in two places at once. In fact we are usually in at least two places and occasionally the contrast is evident....Here, most often, is nothing more than the best perspective to contemplate there.
Rebecca Solnit