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I walk wherever my errands take me.
Rebecca Solnit
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Rebecca Solnit
Age: 63
Born: 1961
Born: June 26
Art Historian
Author
Environmentalist
Journalist
Writer
Bridgeport
Connecticut
Errands
Wherever
Walk
Walks
Take
More quotes by Rebecca Solnit
The poet Marianne Moore famously wrote of 'real toads in imaginary gardens,' and the labyrinth offers us the possibility of being real creatures in symbolic space...In such spaces as the labyrinth we cross over [between real and imaginary spaces] we are really travelling, even if the destination is only symbolic.
Rebecca Solnit
I grew up with landscape as a recourse, with the possibility of exiting the horizontal realm of social relations for a vertical alignment with earth and sky, matter and spirit. Vast open spaces speak best to this craving, the spaces I myself first found in the desert and then in the western grasslands.
Rebecca Solnit
Credibility is a basic survival tool.
Rebecca Solnit
We are moving into a world of unaccountable and secretive corporations that manage all our communications and work hand in hand with governments to make us visible to them. Our privacy is being strip-mined and hoarded.
Rebecca Solnit
Walking . . . is how the body measures itself against the earth.
Rebecca Solnit
To be hopeful means to be uncertain about the future, to be tender toward possibilities, to be dedicated to change all the way down to the bottom of your heart.
Rebecca Solnit
We treat desire as a problem to be solved, address what desire is for and focus on that something and how to acquire it rather than on the nature and the sensation of desire, though often it is the desire between us and the object of desire that fills the space in between with the blue of longing.
Rebecca Solnit
It's hardly surprising that the corporate aliens lie when it comes to the relationship between doing something about climate change and the economy.
Rebecca Solnit
The subject of walking is, in some sense, about how we invest universal acts with particular meanings. Like eating or breathing, it can be invested with wildly different cultural meanings, from the erotic to the spiritual, from the revolutionary to the artistic.
Rebecca Solnit
A path is a prior interpretation of the best way to traverse a landscape.
Rebecca Solnit
Walking itself is the intentional act closest to the unwilled rhythms of the body, to breathing and the beating of the heart. It strikes a delicate balance between working and idling, being and doing. It is a bodily labor that produces nothing but thoughts, experiences, arrivals.
Rebecca Solnit
Stories are compasses and architecture, we navigate by them, we build our sanctuaries and our prisons out of them, and to be without a story is to be lost in the vastness of a world that spreads in all directions like arctic tundra or sea ice.
Rebecca Solnit
The process of transformation consists mostly of decay.
Rebecca Solnit
In the aftermath of 9/11, people had not a good time, but a deep, profound, rousing time, woke up from their ennui and isolation and trivialization to feel engaged, connected, purposeful, ready to give, to engage, to care, to learn.
Rebecca Solnit
Solitude in the city is about the lack of other people or rather their distance beyond a door or wall, but in remote places it isn’t an absence but the presence of something else, a kind of humming silence in which solitude seems as natural to your species as to any other, words strange rocks you may or may not turn over.
Rebecca Solnit
Revolution is as unpredictable as an earthquake and as beautiful as spring. Its coming is always a surprise, but its nature should not be.
Rebecca Solnit
Anarchists believe that we can govern ourselves in the absence of coercive and centralized authority the underlying premise about human nature (to use an infinitely problematized but necessary term here) is fundamentally positive. And the evidence that in disasters people are really pretty kind, generous, brave, resourceful and creative fed that.
Rebecca Solnit
The power of large corporations is still a scourge on the earth, but at least the arguments supporting them are undermined now.
Rebecca Solnit
Every woman who appears wrestles with the forces that would have her disappear. She struggles with the forces that would tell her story for her, or write her out of the story ... The ability to tell your own story, in words or images, is already a victory, already a revolt.
Rebecca Solnit
I see disaster everywhere I also […] see generosity and resistance everywhere.
Rebecca Solnit