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Credibility is a basic survival tool.
Rebecca Solnit
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Rebecca Solnit
Age: 63
Born: 1961
Born: June 26
Art Historian
Author
Environmentalist
Journalist
Writer
Bridgeport
Connecticut
Basic
Survival
Tools
Credibility
Tool
More quotes by Rebecca Solnit
The present rearranges the past. We never tell the story whole because a life isn't a story it's a whole Milky Way of events and we are forever picking out constellations from it to fit who and where we are.
Rebecca Solnit
The process of transformation consists mostly of decay.
Rebecca Solnit
Walking itself is the intentional act closest to the unwilled rhythms of the body, to breathing and the beating of the heart. It strikes a delicate balance between working and idling, being and doing. It is a bodily labor that produces nothing but thoughts, experiences, arrivals.
Rebecca Solnit
In the aftermath of 9/11, people had not a good time, but a deep, profound, rousing time, woke up from their ennui and isolation and trivialization to feel engaged, connected, purposeful, ready to give, to engage, to care, to learn.
Rebecca Solnit
What gets called 'the sixties' left a mixed legacy and a lot of divides. But it opened everything to question, and what seems the most fundamental and most pervasive in all the ensuing changes is the loss of faith in authority: the authority of government, of science, of patriarchy, of progress, of capitalism, of violence, of whiteness.
Rebecca Solnit
The poet Marianne Moore famously wrote of 'real toads in imaginary gardens,' and the labyrinth offers us the possibility of being real creatures in symbolic space...In such spaces as the labyrinth we cross over [between real and imaginary spaces] we are really travelling, even if the destination is only symbolic.
Rebecca Solnit
A contrarian at heart, I am often guided by what I disagree with and don't want.
Rebecca Solnit
The subject of walking is, in some sense, about how we invest universal acts with particular meanings. Like eating or breathing, it can be invested with wildly different cultural meanings, from the erotic to the spiritual, from the revolutionary to the artistic.
Rebecca Solnit
[On the] question of why we might want to look at images even more than the real thing: I think there is some quality when you look at an image of, not only seeing this thing, whether it's the horse or the sky, but you are seeing somebody point at it and say, Look!
Rebecca Solnit
We are often in two places at once. In fact we are usually in at least two places and occasionally the contrast is evident....Here, most often, is nothing more than the best perspective to contemplate there.
Rebecca Solnit
Space--as landscape, terrain, spectacle, experience--has vanished.
Rebecca Solnit
Politics is pervasive. Everything is political and the choice to be apolitical is usually just an endorsement of the status quo and the unexamined life.
Rebecca Solnit
For millions of years, this world has been a great gift to nearly everything living on it, a planet whose atmosphere, temperature, air, water, seasons, and weather were precisely calibrated to allow us - the big us, including forests and oceans, species large and small - to flourish.
Rebecca Solnit
You write your books. You scatter your seeds. Rats might eat them, or they might rot. In California, some seeds lie dormant for decades because they only germinate after fire, and sometimes the burned landscape blooms most lavishly.
Rebecca Solnit
Given a choice between their worldview and the facts, it's always interesting how many people toss the facts.
Rebecca Solnit
For me, being in a car or on an airplane is like being in limbo. It's this dead zone between two places. But to walk, you're some place that's already interesting. You're not just between places. Things are happening.
Rebecca Solnit
For [Jane Austen and the readers of Pride and Prejudice], as for Mr. Darcy, [Elizabeth Bennett's] solitary walks express the independence that literally takes the heroine out of the social sphere of the houses and their inhabitants, into a larger, lonelier world where she is free to think: walking articulates both physical and mental freedom.
Rebecca Solnit
There is no one as dangerous as he or she who has nothing to lose.
Rebecca Solnit
I feel like we're in a truly revolutionary period, not just in terms of practical activities to overthrow regimes in the Middle East or Occupy but also in terms of radical redefinitions. I feel like workers are a big part of it, but there's so much more going on.
Rebecca Solnit
Italian cities have long been held up as ideals, not least by New Yorkers and Londoners enthralled by the ways their architecture gives beauty and meaning to everyday acts.
Rebecca Solnit