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The subject of walking is, in some sense, about how we invest universal acts with particular meanings. Like eating or breathing, it can be invested with wildly different cultural meanings, from the erotic to the spiritual, from the revolutionary to the artistic.

Rebecca Solnit

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Rebecca Solnit
Age: 63
Born: 1961
Born: June 26
Art Historian
Author
Environmentalist
Journalist
Writer
Bridgeport
Connecticut
Particular
Artistic
Erotic
Spiritual
Subject
Hiking
Sense
Universal
Invest
Wildly
Different
Eating
Wander
Sauntering
Like
Subjects
Cultural
Trekking
Walking
Revolutionary
Strolling
Journey
Acts
Meanings
Walks
Breathing
Invested

More quotes by Rebecca Solnit

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Globally, as the nation-state becomes increasingly less meaningful - a provider of positive goods and more and more just an army and some domestic enforcement - people are withdrawing to shape and support more localised forms of organisation and power. To the extent that it's part of that civilised and localising world, the same is true of the U.S.
Rebecca Solnit
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For [Jane Austen and the readers of Pride and Prejudice], as for Mr. Darcy, [Elizabeth Bennett's] solitary walks express the independence that literally takes the heroine out of the social sphere of the houses and their inhabitants, into a larger, lonelier world where she is free to think: walking articulates both physical and mental freedom.
Rebecca Solnit
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Worry is a way to pretend that you have knowledge or control over what you don't--and it surprises me, even in myself, how much we prefer ugly scenarios to the pure unknown.
Rebecca Solnit
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Hope is not like a lottery ticket you can sit on the sofa and clutch, feeling lucky.... hope is an ax you break down doors with in an emergency.
Rebecca Solnit
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It's hardly surprising that the corporate aliens lie when it comes to the relationship between doing something about climate change and the economy.
Rebecca Solnit
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That's what I'm trying to get over: the idea that anarchism offers a description of equitable relations that go way back rather than a hypothesis of what the future should look like.
Rebecca Solnit
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A procession is a participants' journey, while a parade is a performance with an audience.
Rebecca Solnit
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In the aftermath of 9/11, people had not a good time, but a deep, profound, rousing time, woke up from their ennui and isolation and trivialization to feel engaged, connected, purposeful, ready to give, to engage, to care, to learn.
Rebecca Solnit
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We treat desire as a problem to be solved, address what desire is for and focus on that something and how to acquire it rather than on the nature and the sensation of desire, though often it is the desire between us and the object of desire that fills the space in between with the blue of longing.
Rebecca Solnit
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The power of large corporations is still a scourge on the earth, but at least the arguments supporting them are undermined now.
Rebecca Solnit
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A book is a heart that only beats in the chest of another.
Rebecca Solnit
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We talk about politicians being in public life, but they seldom appear in the public space where everyone is free to appear as a citizen.
Rebecca Solnit
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The poet Marianne Moore famously wrote of 'real toads in imaginary gardens,' and the labyrinth offers us the possibility of being real creatures in symbolic space...In such spaces as the labyrinth we cross over [between real and imaginary spaces] we are really travelling, even if the destination is only symbolic.
Rebecca Solnit
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Having the right to show up and speak are basic to survival, to dignity, and to liberty.
Rebecca Solnit
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We fly we dream in darkness we devour heaven in bites too small to be measured.
Rebecca Solnit
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A path is a prior interpretation of the best way to traverse a landscape.
Rebecca Solnit
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A place is a story, and stories are geography, and empathy is first of all an act of imagination, a storyteller's art, and then a way of traveling from here to there.
Rebecca Solnit
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Eduardo Galeano notes that America was conquered, but not discovered, that the men who arrived with a religion to impose and dreams of gold never really knew where they were, and that this discovery is still taking place in our time.
Rebecca Solnit
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I grew up with landscape as a recourse, with the possibility of exiting the horizontal realm of social relations for a vertical alignment with earth and sky, matter and spirit. Vast open spaces speak best to this craving, the spaces I myself first found in the desert and then in the western grasslands.
Rebecca Solnit
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Walking itself is the intentional act closest to the unwilled rhythms of the body, to breathing and the beating of the heart. It strikes a delicate balance between working and idling, being and doing. It is a bodily labor that produces nothing but thoughts, experiences, arrivals.
Rebecca Solnit