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Every woman who appears wrestles with the forces that would have her disappear. She struggles with the forces that would tell her story for her, or write her out of the story ... The ability to tell your own story, in words or images, is already a victory, already a revolt.

Rebecca Solnit

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Rebecca Solnit
Age: 63
Born: 1961
Born: June 26
Art Historian
Author
Environmentalist
Journalist
Writer
Bridgeport
Connecticut
Every
Words
Forces
Would
Woman
Victory
Wrestles
Men
Force
Already
Genealogy
Write
Struggle
Revolt
Tell
Rights
Struggles
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Law
Appears
Women
Ability
Images
Writing
Story
Disappear

More quotes by Rebecca Solnit

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Roads are a record of those who have gone before.
Rebecca Solnit
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[On the] question of why we might want to look at images even more than the real thing: I think there is some quality when you look at an image of, not only seeing this thing, whether it's the horse or the sky, but you are seeing somebody point at it and say, Look!
Rebecca Solnit
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Walking . . . is how the body measures itself against the earth.
Rebecca Solnit
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The positive emotions that arise in...unpromising circumstances demonstrate that social ties and meaningful work are deeply desired, readily improvised, and intensely rewarding. The very structure of our economy and society prevent these goals from being achieved.
Rebecca Solnit
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Language is like a road, it cannot be perceived all at once because it unfolds in time, whether heard or read. This narrative or temporal element has made writing and walking resemble each other.
Rebecca Solnit
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The subject of walking is, in some sense, about how we invest universal acts with particular meanings. Like eating or breathing, it can be invested with wildly different cultural meanings, from the erotic to the spiritual, from the revolutionary to the artistic.
Rebecca Solnit
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No one is born a writer literacy is a peculiar mode of being, but I was all about stories from a very early age, before reading.
Rebecca Solnit
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You get lost out of a desire to be lost. But in the place called lost strange things are found.
Rebecca Solnit
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Globally, as the nation-state becomes increasingly less meaningful - a provider of positive goods and more and more just an army and some domestic enforcement - people are withdrawing to shape and support more localised forms of organisation and power. To the extent that it's part of that civilised and localising world, the same is true of the U.S.
Rebecca Solnit
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The poor have often been subversive just because they don't always believe their own depiction as brutes and loafers and leeches, and new economy is making lots more poor or recognize their fellowship with the insecurity of the poor, the portion of the population for whom the system does not work.
Rebecca Solnit
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In a sense the car has become a prosthetic, and though prosthetics are usually for injured or missing limbs, the auto-prosthetic is for a conceptually impaired body or a body impaired by the creation of a world that is no longer human in scale.
Rebecca Solnit
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Leave the door open for the unknown, the door into the dark. That’s where the most important things come from, where you yourself came from, and where you will go.
Rebecca Solnit
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In great cities, spaces as well as places are designed and built: walking, witnessing, being in public, are as much part of the design and purpose as is being inside to eat, sleep, make shoes or love or music. The word citizen has to do with cities, and the ideal city is organized around citizenship -- around participation in public life.
Rebecca Solnit
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Space--as landscape, terrain, spectacle, experience--has vanished.
Rebecca Solnit
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What gets called 'the sixties' left a mixed legacy and a lot of divides. But it opened everything to question, and what seems the most fundamental and most pervasive in all the ensuing changes is the loss of faith in authority: the authority of government, of science, of patriarchy, of progress, of capitalism, of violence, of whiteness.
Rebecca Solnit
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I think one of the primary goals of a feminist landscape architecture would be to work toward a public landscape in which we can roam the streets at midnight, in which every square is available for Virginia Woolf to make up her novels
Rebecca Solnit
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We are moving into a world of unaccountable and secretive corporations that manage all our communications and work hand in hand with governments to make us visible to them. Our privacy is being strip-mined and hoarded.
Rebecca Solnit
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I still think the revolution is to make the world safe for poetry, meandering, for the frail and vulnerable, the rare and obscure, the impractical and local and small.
Rebecca Solnit
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We talk about politicians being in public life, but they seldom appear in the public space where everyone is free to appear as a citizen.
Rebecca Solnit
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We have only the language for fun and miserable, and maybe we need language for deep and shallow, meaningful and meaningless.
Rebecca Solnit