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Walking allows us to be in our bodies and in the world without being made busy by them.

Rebecca Solnit

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Rebecca Solnit
Age: 63
Born: 1961
Born: June 26
Art Historian
Author
Environmentalist
Journalist
Writer
Bridgeport
Connecticut
Body
Without
Made
World
Allows
Bodies
Busy
Walking

More quotes by Rebecca Solnit

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For me, being in a car or on an airplane is like being in limbo. It's this dead zone between two places. But to walk, you're some place that's already interesting. You're not just between places. Things are happening.
Rebecca Solnit
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To be hopeful means to be uncertain about the future, to be tender toward possibilities, to be dedicated to change all the way down to the bottom of your heart.
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The positive emotions that arise in...unpromising circumstances demonstrate that social ties and meaningful work are deeply desired, readily improvised, and intensely rewarding. The very structure of our economy and society prevent these goals from being achieved.
Rebecca Solnit
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We treat desire as a problem to be solved, address what desire is for and focus on that something and how to acquire it rather than on the nature and the sensation of desire, though often it is the desire between us and the object of desire that fills the space in between with the blue of longing.
Rebecca Solnit
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Never turn down an adventure without a really good reason.
Rebecca Solnit
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I was not going to surrender to the status quo and corporate insistence that ordinary people have no power and influence.
Rebecca Solnit
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Every walker is a guard on patrol to protect the ineffable.
Rebecca Solnit
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Every minute of every hour of every day you are making the world, just as you are making yourself, and you might as well do it with generosity and kindness and style.
Rebecca Solnit
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For [Jane Austen and the readers of Pride and Prejudice], as for Mr. Darcy, [Elizabeth Bennett's] solitary walks express the independence that literally takes the heroine out of the social sphere of the houses and their inhabitants, into a larger, lonelier world where she is free to think: walking articulates both physical and mental freedom.
Rebecca Solnit
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You get lost out of a desire to be lost. But in the place called lost strange things are found.
Rebecca Solnit
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We have only the language for fun and miserable, and maybe we need language for deep and shallow, meaningful and meaningless.
Rebecca Solnit
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Eduardo Galeano notes that America was conquered, but not discovered, that the men who arrived with a religion to impose and dreams of gold never really knew where they were, and that this discovery is still taking place in our time.
Rebecca Solnit
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You write your books. You scatter your seeds. Rats might eat them, or they might rot. In California, some seeds lie dormant for decades because they only germinate after fire, and sometimes the burned landscape blooms most lavishly.
Rebecca Solnit
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Roads are a record of those who have gone before.
Rebecca Solnit
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[On the] question of why we might want to look at images even more than the real thing: I think there is some quality when you look at an image of, not only seeing this thing, whether it's the horse or the sky, but you are seeing somebody point at it and say, Look!
Rebecca Solnit
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I'm grateful that, after an early life of being silenced, sometimes violently, I grew up to have a voice, circumstances that will always bind me to the rights of the voiceless.
Rebecca Solnit
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It's all about a war of social impulses and beliefs that is as powerful in its way as a big hurricane.
Rebecca Solnit
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The poet Marianne Moore famously wrote of 'real toads in imaginary gardens,' and the labyrinth offers us the possibility of being real creatures in symbolic space...In such spaces as the labyrinth we cross over [between real and imaginary spaces] we are really travelling, even if the destination is only symbolic.
Rebecca Solnit
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The subject of walking is, in some sense, about how we invest universal acts with particular meanings. Like eating or breathing, it can be invested with wildly different cultural meanings, from the erotic to the spiritual, from the revolutionary to the artistic.
Rebecca Solnit
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Violence doesn't have a race, a class, a religion, or a nationality, but it does have a gender.
Rebecca Solnit