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Activism is not a journey to the corner store. It is a plunge into the unknown. The future is always dark.

Rebecca Solnit

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Rebecca Solnit
Age: 63
Born: 1961
Born: June 26
Art Historian
Author
Environmentalist
Journalist
Writer
Bridgeport
Connecticut
Journey
Plunge
Dark
Activism
Future
Store
Always
Corner
Unknown
Stores
Corners

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Given a choice between their worldview and the facts, it's always interesting how many people toss the facts.
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The poet Marianne Moore famously wrote of 'real toads in imaginary gardens,' and the labyrinth offers us the possibility of being real creatures in symbolic space...In such spaces as the labyrinth we cross over [between real and imaginary spaces] we are really travelling, even if the destination is only symbolic.
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Getting lost was not a matter of geography so much as identity, a passionate desire, even an urgent need, to become no one and anyone, to shake off the shackles that remind you who you are, who others think you are.
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I think one of the primary goals of a feminist landscape architecture would be to work toward a public landscape in which we can roam the streets at midnight, in which every square is available for Virginia Woolf to make up her novels
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The present rearranges the past. We never tell the story whole because a life isn't a story it's a whole Milky Way of events and we are forever picking out constellations from it to fit who and where we are.
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No one is born a writer literacy is a peculiar mode of being, but I was all about stories from a very early age, before reading.
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Modern life is moving faster than the speed of thought, or thoughtfulness.
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Too many of us seem far too fond of narratives of our powerlessness, maybe because powerlessness lets us off the hook... But we don't need everyone on board we don't need one magic person in office we need ourselves. To act. It's the wind, not the weathervanes.
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Every woman who appears wrestles with the forces that would have her disappear. She struggles with the forces that would tell her story for her, or write her out of the story ... The ability to tell your own story, in words or images, is already a victory, already a revolt.
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What gets called 'the sixties' left a mixed legacy and a lot of divides. But it opened everything to question, and what seems the most fundamental and most pervasive in all the ensuing changes is the loss of faith in authority: the authority of government, of science, of patriarchy, of progress, of capitalism, of violence, of whiteness.
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I was fifteen, and when I picture myself then, I see flames shooting up, see myself falling off the edge of the world, and am amazed I survived not the outside world but the inside one.
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In a sense the car has become a prosthetic, and though prosthetics are usually for injured or missing limbs, the auto-prosthetic is for a conceptually impaired body or a body impaired by the creation of a world that is no longer human in scale.
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The magic of the street is the mingling of the errand and the epiphany.
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Walking allows us to be in our bodies and in the world without being made busy by them.
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We talk about politicians being in public life, but they seldom appear in the public space where everyone is free to appear as a citizen.
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Revolution is as unpredictable as an earthquake and as beautiful as spring. Its coming is always a surprise, but its nature should not be.
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Italian cities have long been held up as ideals, not least by New Yorkers and Londoners enthralled by the ways their architecture gives beauty and meaning to everyday acts.
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People rescue each other. They build shelters and community kitchens and ways to deal with lost children and eventually rebuild one way or another.
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...[Cabeza de Vaca] ceased to be lost not by returning but by turning into something else.
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Space--as landscape, terrain, spectacle, experience--has vanished.
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