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I was fifteen, and when I picture myself then, I see flames shooting up, see myself falling off the edge of the world, and am amazed I survived not the outside world but the inside one.

Rebecca Solnit

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Rebecca Solnit
Age: 63
Born: 1961
Born: June 26
Art Historian
Author
Environmentalist
Journalist
Writer
Bridgeport
Connecticut
Inside
Fifteen
Fall
Flames
World
Edge
Edges
Falling
Shooting
Picture
Amazed
Outside
Survived

More quotes by Rebecca Solnit

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[In mountaineering, if] we look for private experience rather than public history, even getting to the top becomes an optional narrative rather than the main point, and those who only wander in high places become part of the story.
Rebecca Solnit
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Cities have always offered anonymity, variety, and conjunction, qualities best basked in by walking: one does not have to go into the bakery or the fortune-teller's, only to know that one might. A city always contains more than any inhabitant can know, and a great city always makes the unknown and the possible spurs to the imagination.
Rebecca Solnit
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We talk about politicians being in public life, but they seldom appear in the public space where everyone is free to appear as a citizen.
Rebecca Solnit
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To lose yourself: a voluptuous surrender, lost in your arms, lost to the world, utterly immersed in what is present so that its surroundings fade away. In Benjamin’s terms, to be lost is to be fully present, and to be fully present is to be capable of being in uncertainty and mystery.
Rebecca Solnit
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Growing up north of San Francisco, I immersed myself in the local landscape and in books about Native Americans, cowboys, and pioneers that seemed to ground me in it, but to pursue culture in those days meant being spun around until dizzy and then pushed east.
Rebecca Solnit
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....there are three prerequisites to going out into the world to walk for pleasure. One must have free time, a place to go, and a body unhindered by illness or social restraints.
Rebecca Solnit
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In a sense the car has become a prosthetic, and though prosthetics are usually for injured or missing limbs, the auto-prosthetic is for a conceptually impaired body or a body impaired by the creation of a world that is no longer human in scale.
Rebecca Solnit
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In the aftermath of 9/11, people had not a good time, but a deep, profound, rousing time, woke up from their ennui and isolation and trivialization to feel engaged, connected, purposeful, ready to give, to engage, to care, to learn.
Rebecca Solnit
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Never to get lost is not to live, not to know how to get lost brings you to destruction.
Rebecca Solnit
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I think one of the primary goals of a feminist landscape architecture would be to work toward a public landscape in which we can roam the streets at midnight, in which every square is available for Virginia Woolf to make up her novels
Rebecca Solnit
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The magic of the street is the mingling of the errand and the epiphany.
Rebecca Solnit
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The subject of walking is, in some sense, about how we invest universal acts with particular meanings. Like eating or breathing, it can be invested with wildly different cultural meanings, from the erotic to the spiritual, from the revolutionary to the artistic.
Rebecca Solnit
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There are disasters that are entirely manmade, but none that are entirely natural.
Rebecca Solnit
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You write your books. You scatter your seeds. Rats might eat them, or they might rot. In California, some seeds lie dormant for decades because they only germinate after fire, and sometimes the burned landscape blooms most lavishly.
Rebecca Solnit
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Every woman who appears wrestles with the forces that would have her disappear. She struggles with the forces that would tell her story for her, or write her out of the story ... The ability to tell your own story, in words or images, is already a victory, already a revolt.
Rebecca Solnit
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The present rearranges the past. We never tell the story whole because a life isn't a story it's a whole Milky Way of events and we are forever picking out constellations from it to fit who and where we are.
Rebecca Solnit
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I still think the revolution is to make the world safe for poetry, meandering, for the frail and vulnerable, the rare and obscure, the impractical and local and small.
Rebecca Solnit
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The positive emotions that arise in...unpromising circumstances demonstrate that social ties and meaningful work are deeply desired, readily improvised, and intensely rewarding. The very structure of our economy and society prevent these goals from being achieved.
Rebecca Solnit
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Getting lost was not a matter of geography so much as identity, a passionate desire, even an urgent need, to become no one and anyone, to shake off the shackles that remind you who you are, who others think you are.
Rebecca Solnit
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Having the right to show up and speak are basic to survival, to dignity, and to liberty.
Rebecca Solnit