Quote

Getting lost was not a matter of geography so much as identity, a passionate desire, even an urgent need, to become no one and anyone, to shake off the shackles that remind you who you are, who others think you are.

Rebecca Solnit

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Rebecca Solnit
Age: 63
Born: 1961
Born: June 26
Art Historian
Author
Environmentalist
Journalist
Writer
Bridgeport
Connecticut
Needs
Anyone
Shackles
Even
Getting
Geography
Much
Desire
Urgent
Think
Lost
Shake
Thinking
Others
Shakes
Become
Remind
Matter
Passionate
Need
Identity

More quotes by Rebecca Solnit

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To hope is to give yourself to the future - and that commitment to the future is what makes the present inhabitable.
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The positive emotions that arise in...unpromising circumstances demonstrate that social ties and meaningful work are deeply desired, readily improvised, and intensely rewarding. The very structure of our economy and society prevent these goals from being achieved.
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It's hardly surprising that the corporate aliens lie when it comes to the relationship between doing something about climate change and the economy.
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I feel like we're in a truly revolutionary period, not just in terms of practical activities to overthrow regimes in the Middle East or Occupy but also in terms of radical redefinitions. I feel like workers are a big part of it, but there's so much more going on.
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To lose yourself: a voluptuous surrender, lost in your arms, lost to the world, utterly immersed in what is present so that its surroundings fade away. In Benjamin’s terms, to be lost is to be fully present, and to be fully present is to be capable of being in uncertainty and mystery.
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Italian cities have long been held up as ideals, not least by New Yorkers and Londoners enthralled by the ways their architecture gives beauty and meaning to everyday acts.
Rebecca Solnit
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In great cities, spaces as well as places are designed and built: walking, witnessing, being in public, are as much part of the design and purpose as is being inside to eat, sleep, make shoes or love or music. The word citizen has to do with cities, and the ideal city is organized around citizenship -- around participation in public life.
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Every walker is a guard on patrol to protect the ineffable.
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The magic of the street is the mingling of the errand and the epiphany.
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People rescue each other. They build shelters and community kitchens and ways to deal with lost children and eventually rebuild one way or another.
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The subject of walking is, in some sense, about how we invest universal acts with particular meanings. Like eating or breathing, it can be invested with wildly different cultural meanings, from the erotic to the spiritual, from the revolutionary to the artistic.
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Never turn down an adventure without a really good reason.
Rebecca Solnit
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As for me, the grounds of my hope have always been that history is wilder than our imagination of it and that the unexpected shows up far more regularly than we ever dream.
Rebecca Solnit
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Walking itself is the intentional act closest to the unwilled rhythms of the body, to breathing and the beating of the heart. It strikes a delicate balance between working and idling, being and doing. It is a bodily labor that produces nothing but thoughts, experiences, arrivals.
Rebecca Solnit
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Space--as landscape, terrain, spectacle, experience--has vanished.
Rebecca Solnit
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Too many of us seem far too fond of narratives of our powerlessness, maybe because powerlessness lets us off the hook... But we don't need everyone on board we don't need one magic person in office we need ourselves. To act. It's the wind, not the weathervanes.
Rebecca Solnit
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Cities have always offered anonymity, variety, and conjunction, qualities best basked in by walking: one does not have to go into the bakery or the fortune-teller's, only to know that one might. A city always contains more than any inhabitant can know, and a great city always makes the unknown and the possible spurs to the imagination.
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Books are solitudes in which we meet.
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They are all beasts of burden in a sense, ' Thoreau once remarked of animals, 'made to carry some portion of our thoughts.' Animals are the old language of the imagination one of the ten thousand tragedies of their disappearance would be a silencing of this speech.
Rebecca Solnit
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Worry is a way to pretend that you have knowledge or control over what you don't--and it surprises me, even in myself, how much we prefer ugly scenarios to the pure unknown.
Rebecca Solnit