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Leave the door open for the unknown, the door into the dark. That’s where the most important things come from, where you yourself came from, and where you will go.

Rebecca Solnit

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Rebecca Solnit
Age: 63
Born: 1961
Born: June 26
Art Historian
Author
Environmentalist
Journalist
Writer
Bridgeport
Connecticut
Doors
Leave
Open
Came
Dark
Come
Important
Unknown
Things
Door

More quotes by Rebecca Solnit

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I think one of the primary goals of a feminist landscape architecture would be to work toward a public landscape in which we can roam the streets at midnight, in which every square is available for Virginia Woolf to make up her novels
Rebecca Solnit
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Getting lost was not a matter of geography so much as identity, a passionate desire, even an urgent need, to become no one and anyone, to shake off the shackles that remind you who you are, who others think you are.
Rebecca Solnit
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That's what I'm trying to get over: the idea that anarchism offers a description of equitable relations that go way back rather than a hypothesis of what the future should look like.
Rebecca Solnit
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[In mountaineering, if] we look for private experience rather than public history, even getting to the top becomes an optional narrative rather than the main point, and those who only wander in high places become part of the story.
Rebecca Solnit
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For millions of years, this world has been a great gift to nearly everything living on it, a planet whose atmosphere, temperature, air, water, seasons, and weather were precisely calibrated to allow us - the big us, including forests and oceans, species large and small - to flourish.
Rebecca Solnit
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While a lot of people want to join the left to react against the mainstream or right, I in many ways react against the left - not a lot of its fundamental commitments, but its often dismal tone, righteousness, defeatism, etc.
Rebecca Solnit
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Walking allows us to be in our bodies and in the world without being made busy by them.
Rebecca Solnit
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....there are three prerequisites to going out into the world to walk for pleasure. One must have free time, a place to go, and a body unhindered by illness or social restraints.
Rebecca Solnit
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I was fifteen, and when I picture myself then, I see flames shooting up, see myself falling off the edge of the world, and am amazed I survived not the outside world but the inside one.
Rebecca Solnit
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Eduardo Galeano notes that America was conquered, but not discovered, that the men who arrived with a religion to impose and dreams of gold never really knew where they were, and that this discovery is still taking place in our time.
Rebecca Solnit
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You write your books. You scatter your seeds. Rats might eat them, or they might rot. In California, some seeds lie dormant for decades because they only germinate after fire, and sometimes the burned landscape blooms most lavishly.
Rebecca Solnit
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Given a choice between their worldview and the facts, it's always interesting how many people toss the facts.
Rebecca Solnit
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Every woman who appears wrestles with the forces that would have her disappear. She struggles with the forces that would tell her story for her, or write her out of the story ... The ability to tell your own story, in words or images, is already a victory, already a revolt.
Rebecca Solnit
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A place is a story, and stories are geography, and empathy is first of all an act of imagination, a storyteller's art, and then a way of traveling from here to there.
Rebecca Solnit
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I grew up with landscape as a recourse, with the possibility of exiting the horizontal realm of social relations for a vertical alignment with earth and sky, matter and spirit. Vast open spaces speak best to this craving, the spaces I myself first found in the desert and then in the western grasslands.
Rebecca Solnit
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The famous Zen parable about the master for whom, before his studies, mountains were only mountains, but during his studies mountains were no longer mountains, and afterward mountains were again mountains could be interpreted as an alleory about [the perpetual paradox that when one is closest to a destination one is also the farthest).
Rebecca Solnit
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Language is like a road, it cannot be perceived all at once because it unfolds in time, whether heard or read. This narrative or temporal element has made writing and walking resemble each other.
Rebecca Solnit
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Books are solitudes in which we meet.
Rebecca Solnit
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The poor have often been subversive just because they don't always believe their own depiction as brutes and loafers and leeches, and new economy is making lots more poor or recognize their fellowship with the insecurity of the poor, the portion of the population for whom the system does not work.
Rebecca Solnit
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No one is born a writer literacy is a peculiar mode of being, but I was all about stories from a very early age, before reading.
Rebecca Solnit