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I think one of the primary goals of a feminist landscape architecture would be to work toward a public landscape in which we can roam the streets at midnight, in which every square is available for Virginia Woolf to make up her novels

Rebecca Solnit

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Rebecca Solnit
Age: 63
Born: 1961
Born: June 26
Art Historian
Author
Environmentalist
Journalist
Writer
Bridgeport
Connecticut
Every
Architecture
Squares
Make
Available
Midnight
Toward
Primaries
Would
Streets
Primary
Think
Novel
Novels
Woolf
Thinking
Public
Feminist
Roam
Goal
Landscape
Virginia
Work
Goals
Square

More quotes by Rebecca Solnit

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Every walker is a guard on patrol to protect the ineffable.
Rebecca Solnit
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Stories are compasses and architecture, we navigate by them, we build our sanctuaries and our prisons out of them, and to be without a story is to be lost in the vastness of a world that spreads in all directions like arctic tundra or sea ice.
Rebecca Solnit
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In the aftermath of 9/11, people had not a good time, but a deep, profound, rousing time, woke up from their ennui and isolation and trivialization to feel engaged, connected, purposeful, ready to give, to engage, to care, to learn.
Rebecca Solnit
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....there are three prerequisites to going out into the world to walk for pleasure. One must have free time, a place to go, and a body unhindered by illness or social restraints.
Rebecca Solnit
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Too many of us seem far too fond of narratives of our powerlessness, maybe because powerlessness lets us off the hook... But we don't need everyone on board we don't need one magic person in office we need ourselves. To act. It's the wind, not the weathervanes.
Rebecca Solnit
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I was not going to surrender to the status quo and corporate insistence that ordinary people have no power and influence.
Rebecca Solnit
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While a lot of people want to join the left to react against the mainstream or right, I in many ways react against the left - not a lot of its fundamental commitments, but its often dismal tone, righteousness, defeatism, etc.
Rebecca Solnit
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The process of transformation consists mostly of decay.
Rebecca Solnit
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[On the] question of why we might want to look at images even more than the real thing: I think there is some quality when you look at an image of, not only seeing this thing, whether it's the horse or the sky, but you are seeing somebody point at it and say, Look!
Rebecca Solnit
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You get lost out of a desire to be lost. But in the place called lost strange things are found.
Rebecca Solnit
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I'm a big fan of the vigor of civil society, political engagement, and public life in many parts of Latin America.
Rebecca Solnit
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Revolution is as unpredictable as an earthquake and as beautiful as spring. Its coming is always a surprise, but its nature should not be.
Rebecca Solnit
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Every woman who appears wrestles with the forces that would have her disappear. She struggles with the forces that would tell her story for her, or write her out of the story ... The ability to tell your own story, in words or images, is already a victory, already a revolt.
Rebecca Solnit
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The great majority of people are calm, resourceful, altruistic or even beyond altruistic, as they risk themselves for others. We improvise the conditions of survival beautifully.
Rebecca Solnit
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Cities have always offered anonymity, variety, and conjunction, qualities best basked in by walking: one does not have to go into the bakery or the fortune-teller's, only to know that one might. A city always contains more than any inhabitant can know, and a great city always makes the unknown and the possible spurs to the imagination.
Rebecca Solnit
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Think of civil society and the state as joined in a marriage of necessity. You already know who the wife is, the one who is supposed to love, cherish and obey: that's civil society. Think of the state as the domineering husband who expects to have a monopoly on power, on violence, on planning and policymaking.
Rebecca Solnit
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Time itself is our tragedy and most of us are fighting some kind of war against it.
Rebecca Solnit
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The poet Marianne Moore famously wrote of 'real toads in imaginary gardens,' and the labyrinth offers us the possibility of being real creatures in symbolic space...In such spaces as the labyrinth we cross over [between real and imaginary spaces] we are really travelling, even if the destination is only symbolic.
Rebecca Solnit
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A book is a heart that only beats in the chest of another.
Rebecca Solnit
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The subject of walking is, in some sense, about how we invest universal acts with particular meanings. Like eating or breathing, it can be invested with wildly different cultural meanings, from the erotic to the spiritual, from the revolutionary to the artistic.
Rebecca Solnit