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The magic of the street is the mingling of the errand and the epiphany.

Rebecca Solnit

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Rebecca Solnit
Age: 63
Born: 1961
Born: June 26
Art Historian
Author
Environmentalist
Journalist
Writer
Bridgeport
Connecticut
Errand
Mingling
Errands
Epiphany
Street
Streets
Magic

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Leave the door open for the unknown, the door into the dark. That’s where the most important things come from, where you yourself came from, and where you will go.
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I think one of the primary goals of a feminist landscape architecture would be to work toward a public landscape in which we can roam the streets at midnight, in which every square is available for Virginia Woolf to make up her novels
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As for me, the grounds of my hope have always been that history is wilder than our imagination of it and that the unexpected shows up far more regularly than we ever dream.
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Time itself is our tragedy and most of us are fighting some kind of war against it.
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You get lost out of a desire to be lost. But in the place called lost strange things are found.
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There are disasters that are entirely manmade, but none that are entirely natural.
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A book is a heart that only beats in the chest of another.
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Italian cities have long been held up as ideals, not least by New Yorkers and Londoners enthralled by the ways their architecture gives beauty and meaning to everyday acts.
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The positive emotions that arise in...unpromising circumstances demonstrate that social ties and meaningful work are deeply desired, readily improvised, and intensely rewarding. The very structure of our economy and society prevent these goals from being achieved.
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Too many of us seem far too fond of narratives of our powerlessness, maybe because powerlessness lets us off the hook... But we don't need everyone on board we don't need one magic person in office we need ourselves. To act. It's the wind, not the weathervanes.
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Every minute of every hour of every day you are making the world, just as you are making yourself, and you might as well do it with generosity and kindness and style.
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A path is a prior interpretation of the best way to traverse a landscape.
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For [Jane Austen and the readers of Pride and Prejudice], as for Mr. Darcy, [Elizabeth Bennett's] solitary walks express the independence that literally takes the heroine out of the social sphere of the houses and their inhabitants, into a larger, lonelier world where she is free to think: walking articulates both physical and mental freedom.
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That's what I'm trying to get over: the idea that anarchism offers a description of equitable relations that go way back rather than a hypothesis of what the future should look like.
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I'm grateful that, after an early life of being silenced, sometimes violently, I grew up to have a voice, circumstances that will always bind me to the rights of the voiceless.
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I see disaster everywhere I also […] see generosity and resistance everywhere.
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Eduardo Galeano notes that America was conquered, but not discovered, that the men who arrived with a religion to impose and dreams of gold never really knew where they were, and that this discovery is still taking place in our time.
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Space--as landscape, terrain, spectacle, experience--has vanished.
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Anarchists believe that we can govern ourselves in the absence of coercive and centralized authority the underlying premise about human nature (to use an infinitely problematized but necessary term here) is fundamentally positive. And the evidence that in disasters people are really pretty kind, generous, brave, resourceful and creative fed that.
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The power of large corporations is still a scourge on the earth, but at least the arguments supporting them are undermined now.
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