Quote

For me, childhood roaming was what developed self-reliance, a sense of direction and adventure, imagination, a will to explore, to be able to get a little lost and then figure out the way back.

Rebecca Solnit

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Rebecca Solnit
Age: 63
Born: 1961
Born: June 26
Art Historian
Author
Environmentalist
Journalist
Writer
Bridgeport
Connecticut
Way
Imagination
Reliance
Lost
Explore
Sense
Developed
Littles
Direction
Back
Adventure
Able
Figure
Little
Childhood
Self
Figures
Roaming

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Roads are a record of those who have gone before.
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Books are solitudes in which we meet.
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A book is a heart that only beats in the chest of another.
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Think of civil society and the state as joined in a marriage of necessity. You already know who the wife is, the one who is supposed to love, cherish and obey: that's civil society. Think of the state as the domineering husband who expects to have a monopoly on power, on violence, on planning and policymaking.
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While a lot of people want to join the left to react against the mainstream or right, I in many ways react against the left - not a lot of its fundamental commitments, but its often dismal tone, righteousness, defeatism, etc.
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Violence doesn't have a race, a class, a religion, or a nationality, but it does have a gender.
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There is so much information that our ability to focus on any piece of it is interrupted by other information, so that we bathe in information but hardly absorb or analyse it. Data are interrupted by other data before we've thought about the first round, and contemplating three streams of data at once may be a way to think about none of them.
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We are moving into a world of unaccountable and secretive corporations that manage all our communications and work hand in hand with governments to make us visible to them. Our privacy is being strip-mined and hoarded.
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I see disaster everywhere I also […] see generosity and resistance everywhere.
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I think one of the primary goals of a feminist landscape architecture would be to work toward a public landscape in which we can roam the streets at midnight, in which every square is available for Virginia Woolf to make up her novels
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We have only the language for fun and miserable, and maybe we need language for deep and shallow, meaningful and meaningless.
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For me, being in a car or on an airplane is like being in limbo. It's this dead zone between two places. But to walk, you're some place that's already interesting. You're not just between places. Things are happening.
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[On the] question of why we might want to look at images even more than the real thing: I think there is some quality when you look at an image of, not only seeing this thing, whether it's the horse or the sky, but you are seeing somebody point at it and say, Look!
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To hope is to give yourself to the future - and that commitment to the future is what makes the present inhabitable.
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Leave the door open for the unknown, the door into the dark. That’s where the most important things come from, where you yourself came from, and where you will go.
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Every walker is a guard on patrol to protect the ineffable.
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I was not going to surrender to the status quo and corporate insistence that ordinary people have no power and influence.
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You get lost out of a desire to be lost. But in the place called lost strange things are found.
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Stories are compasses and architecture, we navigate by them, we build our sanctuaries and our prisons out of them, and to be without a story is to be lost in the vastness of a world that spreads in all directions like arctic tundra or sea ice.
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They are all beasts of burden in a sense, ' Thoreau once remarked of animals, 'made to carry some portion of our thoughts.' Animals are the old language of the imagination one of the ten thousand tragedies of their disappearance would be a silencing of this speech.
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