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Revolution is as unpredictable as an earthquake and as beautiful as spring. Its coming is always a surprise, but its nature should not be.

Rebecca Solnit

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Rebecca Solnit
Age: 63
Born: 1961
Born: June 26
Art Historian
Author
Environmentalist
Journalist
Writer
Bridgeport
Connecticut
Nature
Beautiful
Earthquake
Always
Earthquakes
Unpredictable
Surprise
Spring
Revolution
Coming

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Worry is a way to pretend that you have knowledge or control over what you don't--and it surprises me, even in myself, how much we prefer ugly scenarios to the pure unknown.
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I was not going to surrender to the status quo and corporate insistence that ordinary people have no power and influence.
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No one is born a writer literacy is a peculiar mode of being, but I was all about stories from a very early age, before reading.
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A path is a prior interpretation of the best way to traverse a landscape.
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There is so much information that our ability to focus on any piece of it is interrupted by other information, so that we bathe in information but hardly absorb or analyse it. Data are interrupted by other data before we've thought about the first round, and contemplating three streams of data at once may be a way to think about none of them.
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We are often in two places at once. In fact we are usually in at least two places and occasionally the contrast is evident....Here, most often, is nothing more than the best perspective to contemplate there.
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I'm a big fan of the vigor of civil society, political engagement, and public life in many parts of Latin America.
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Every minute of every hour of every day you are making the world, just as you are making yourself, and you might as well do it with generosity and kindness and style.
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Language is like a road, it cannot be perceived all at once because it unfolds in time, whether heard or read. This narrative or temporal element has made writing and walking resemble each other.
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Hope is not like a lottery ticket you can sit on the sofa and clutch, feeling lucky.... hope is an ax you break down doors with in an emergency.
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I still think the revolution is to make the world safe for poetry, meandering, for the frail and vulnerable, the rare and obscure, the impractical and local and small.
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Pain serves a purpose. Without it you are in danger. What you cannot feel you cannot take care of.
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Solitude in the city is about the lack of other people or rather their distance beyond a door or wall, but in remote places it isn’t an absence but the presence of something else, a kind of humming silence in which solitude seems as natural to your species as to any other, words strange rocks you may or may not turn over.
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In a sense the car has become a prosthetic, and though prosthetics are usually for injured or missing limbs, the auto-prosthetic is for a conceptually impaired body or a body impaired by the creation of a world that is no longer human in scale.
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A book is a heart that only beats in the chest of another.
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As for me, the grounds of my hope have always been that history is wilder than our imagination of it and that the unexpected shows up far more regularly than we ever dream.
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It's all about a war of social impulses and beliefs that is as powerful in its way as a big hurricane.
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To be hopeful means to be uncertain about the future, to be tender toward possibilities, to be dedicated to change all the way down to the bottom of your heart.
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Violence doesn't have a race, a class, a religion, or a nationality, but it does have a gender.
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Anarchists believe that we can govern ourselves in the absence of coercive and centralized authority the underlying premise about human nature (to use an infinitely problematized but necessary term here) is fundamentally positive. And the evidence that in disasters people are really pretty kind, generous, brave, resourceful and creative fed that.
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