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I've always had horrible Valentine's Days.

Rebecca Hall

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Rebecca Hall
Age: 42
Born: 1982
Born: May 3
Actor
Film Actor
Film Actress
Film Director
Stage Actor
Television Actor
London
England
Rebecca Maria Hall
Horrible
Days
Always
Valentine

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One aspect of my mum's personality that has influenced me is her love of Hollywood and the golden era of black-and-white films.
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I daydream about things I want to happen, but none of it is more complicated, most of the time, than just really hoping that the good parts and the well-written parts are the ones that turn up on my doorstep.
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Sometimes I can spend months doing things to make sure that my instincts work correctly, but ultimately it's still instinctive.
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I try and avoid thinking of strategy and I tend to stick to my gun of doing things that I like and try to avoid things that I should be doing, and stay true to that.
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I've played an awful lot of repressed people.
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The idea that fear can manipulate people and you can use fear in the media to get what you want is happening right now. I think it has a lot of relevance between 2017 and 70's.
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My childhood was very colourful, and I am very good friends with both my parents. We have no secrets.
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A floor length backless black sequined dress would be my dream dress. As for my dream date - that would have to be a young Marlon Brando!
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There's always going to be a separate version of you that people will create, and you have no control over it.
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I don't think there's a single person on this planet that doesn't have a day when they feel like they're off, like they're not doing a very good job of being them. We all relate to having highs and lows. Everyone gets depressed.
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I was the kid that grew up watching Bette Davis films.
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If you act scared, your body produces adrenaline.
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One of the great things about the 'Iron Man' franchise is that they employ fascinating actors who don't necessarily do action movies. Before 'Iron Man' you didn't associate Robert Downey, Jr. and Gwyneth Paltrow with those kinds of films. There's an emphasis on repartee and wit.
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To read a character I'm not sympathizing with is generally quite a good, attractive proposition because I've got somewhere to go, I've got work to do, to try to understand why they behave like they behave, to relate entirely and understand them and to be completely emotionally connected. That is much more fun 99 percent of the time.
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I think for a long time it seemed like working in an art form and being a feminist meant portraying women in a perfect, angelic light. And there's nothing feminist about that.
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I always look for contradiction in a character.
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When we are aligned, everything can flow, and life and yoga becomes effortless.
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I think loads of people see acting, when they're kids, as these magical stories that just happen within the context of the film or the play or the cartoon or whatever they're seeing. They don't imagine that there are actually people that go and do that for a living.
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I read everything. I've always got a book on the go and I'm really nerdy about it, I get through books and don't remember anything about them afterwards. But I read all sorts, from classic to contemporary.
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There are a lot of movies about misfits that are quite cool, that kind of glamorize it on some level. I think there are fewer films, certainly with a lady at the center, about the agony of what it's like to feel like you're not accepted, and you're different, and somehow you're weird.
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