I don't feel that I decided deliberately I'm going to write something and have it stand alone. Somewhere by the end I think it would probably revert to imagery.

Art comes after the fact, as a witness to certain things that have happened.

No one can help me with my work. I think I do best when I am just left alone.

I'd rather do anything than make commercial art. I didn't go to school for art. Making art has certain advantages for me but they would never be in commercial direction.

It's possible to do your best work at your highest level without competing. I'm not anticompetition, but at an individual level, it can be degrading for both sides. And it doesn't have to be that way. I've done pretty well at getting past that sort of thing, and it's a relief not to have the rancor.

It's very rare that someone gets the death penalty for charges of conspiracy, for his influence, for his Svengali-Rasputin act.

My work is more driven by the creative word. It's immersed in other writing and printed work, rather than drawn so much from life or past experience.

Forgiveness is the nature of my art in general. It's expressing love and compassion, the kinds of things that don't make sense in any other context other than emotive expression.

I don't make art with grandiose delusions. I do know there are limits to what art is capable of. That makes it all the more appealing to me. And I can do as I will whenever I choose.

I don't drive often, because the parking makes it too much of a nuisance. And I could never go back to commuting or anything. I'd just get fed up with it.

I don't know if it's good to be stuck at one place. I'm probably too close to home on that. Because that can happen-where I'm not the best judge of my own work.

Most writers do similar things in their minds. It's how the mind works, basically.

Art can be a kind of therapeutic, or kind of a fantasy life, or wish fulfillment...o r creating this alternate universe. Art gives me the freedom to do that.

There's always a latent or inferred image in my writing. And I can almost always assume if I do a drawing that it will eventually have text.

I was making my work as transparent as possible, without equivocations, without calling attention to itself, without apology. There's a lot of conventions in the art world that are not to be transgressed, but my economy of means doesn't abide by those strictures. There's no reason to abide by them. I don't have any vested interest in it.