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Honey, no offense, but sometimes I think I could shoot you and watch you kick.

Raymond Carver

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Raymond Carver
Age: 50 †
Born: 1938
Born: May 25
Died: 1988
Died: August 2
Author
Novelist
Poet
Prosaist
Screenwriter
Writer
Clatskanie
Oregon
Sometimes
Kick
Think
Offense
Thinking
Kicks
Intimacy
Honey
Shoot
Watches
Watch

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You're a beautiful drunk, daughter. But you're a drunk.
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Don’t complain, don’t explain.
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A man without hands came to the door to sell me a photograph of my house. Except for the chrome hooks, he was an ordinary-looking man of fifty or so.
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Then I said something. I said, Suppose, just suppose, nothing had ever happened. Suppose this was for the first time. Just suppose. It doesn't hurt to suppose. Say none of the other had ever happened. You know what I mean? Then what? I said.
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A great danger, or at least a great temptation, for many writers is to become too autobiographical in their approach to their fiction. A little autobiography and a lot of imagination are best.
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I could hear my heart beating. I could hear everyone's heart. I could hear the human noise we sat there making, not one of us moving, not even when the room went dark.
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When a reader finishes a wonderful story and lays it aside, he should have to pause for a minute and collect himself.
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I'm always learning something. Learning never ends.
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Ralph also took some classes in philosophy and literature and felt himself on the brink of some kind of huge discovery about himself. But it never came.
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This is awful. I don't know what's going to happen to me or to anyone else in the world.
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I dressed and went for a walk - determined not to return until I took in what Nature had to offer.
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Fiction shows the external effects of internal conditions. Be aware of the tension between internal and external movement.
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You've got to work with your mistakes until they look intended. Understand?
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The fiction Im most interested in has lines of reference to the real world.
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Remember Haydn's 104 symphonies. Not all of them were great. But there were 104 of them.
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My heart is broken,” she goes. “It’s turned to a piece of stone. I’m no good. That’s what’s as bad as anything, that I’m no good anymore.
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My life is going to change. I feel it.
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Life and death matters, yes. And the question of how to behave in this world, how to go in the face of everything. Time is short and the water is rising.
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There's literary creation and literary business. When I first got something accepted, it gave my life a validation it didn't otherwise have.
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The smooth stones you pick up and examine under the moon's light have been made blue from the sea. Next morning when you pull them from your trouser pocket, they are still blue.
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