That's why I never became a director. I never had patience with people.

I took courses at USC in film editing and art direction and photography when I was still in high school.

One film critic back in the early days said It's a pity Mr. Harryhausen didn't animated the actors, too.

When you put a big budget into a film, it doesn't necessarily mean it will be a better picture, but it does help in creating new images on the screen.

You could believe that Sinbad could fight a skeleton because that's from a period in the past, a magical period. But if you had James Bond fighting a skeleton, it'd be almost comical.

If you make things too real, sometimes you bring it down to the mundane.

Today, they make films where you have to sit for an hour and a half and watch somebody in the process of dying and, for me, that's rather depressing. Films, in the good old days of the golden age of Hollywood, used to want to inspire people and give them uplift. You're paying good money to see a film, and you don't want to leave depressed!

There’s a strange quality in stop-motion photography, like in King Kong, that adds to the fantasy. If you make things too real, sometimes you bring it down to the mundane.

Animation requires a great deal of concentration, and I preferred to work alone because then I'm not deterred by somebody asking me if I want coffee, or the phone ringing or something.