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Production and consumption are the nipples of modern society. Thus suckled, humanity grows in strength and beauty rising standard of living, all modern conveniences, distractions of all kinds, culture for all, the comfort of your dreams.

Raoul Vaneigem

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Raoul Vaneigem
Age: 90
Born: 1934
Born: March 21
Journalist
Philosopher
Writer
Beauty
Thus
Materialism
Society
Standards
Distraction
Living
Comfort
Consumption
Culture
Dreams
Standard
Dream
Strength
Production
Conveniences
Kind
Modern
Productions
Nipples
Humanity
Rising
Distractions
Grows
Kinds
Convenience

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Daydreaming subverts the world.
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To be rich nowadays merely means to possess a large number of poor objects.
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People without imagination are beginning to tire of the importance attached to comfort, to culture, to leisure, to all that destroys imagination. This means that people are not really tired of comfort, culture and leisure, but of the use to which they are.
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Who wants a world in which the guarantee that we shall not die of starvation entails the risk of dying of boredom?
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Hope is the leash of submission.
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The history of our times calls to mind those Walt Disney characters who rush madly over the edge of a cliff without seeing it, so that the power of their imagination keeps them suspended in mid-air but as soon as they look down and see where they are, they fall.
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People who talk about revolution and class struggle without referring explicitly to everyday life, without understanding what is subversive about love and what is positive in the refusal of constraints, such people have a corpse in their mouth.
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The world of the commodity is a world upside-down, which bases itself not upon life but upon the transformation of life into work.
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Daily life is governed by an economic system in which the production and consumption of insults tends to balance out.
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Work to survive, survive by consuming, survive to consume the hellish cycle is complete.
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In the twentieth century, death terrifies men less than the absence of real life.
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Where constraint breaks people, and mediation makes fools of them, the seduction of power is what makes them love their oppression. Because of it, people give up their real riches for a cause that mutilates them for an appearance that reifies them for roles that wrest them from authentic life for a time whose passage defines and confines them.
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Never before has a civilization reached such a degree of a contempt for life never before has a generation, drowned in mortification, felt such a rage to live.
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As poverty has been reduced in terms of mere survival, it has become more profound in terms of our way of life.
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The work of art of the future will be the construction of a passionate life.
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To work for delight and authentic festivity is barely distinguishable from preparing for a general insurrection
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Our task is not to rediscover nature but to remake it.
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I do not dream of a gentle revolution. My passion runs to the violence of supersession, the ferocity of a life that renounces nothing.
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Work is the opposite of creativity.
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