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We are now living in a jungle where the strong eats the weak,we are not better than the Arabs to despise them.

Ralph Fiennes

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Ralph Fiennes
Age: 61
Born: 1962
Born: December 22
Actor
Character Actor
Film Actor
Film Director
Film Producer
Stage Actor
Television Actor
Voice Actor
Ipswich (parish)
Ralph Nathaniel Twisleton Wykeham Fiennes
Ralph Nathaniel Twisleton-Wykeham-Fiennes
Living
Strong
Better
Arabs
Eats
Jungle
Despise
Weak

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I have a lot of stuff I want to talk about and offer up. It would be odd not to have ideas about something.
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There are those moments when you shake someone's hand, have a conversation with someone, and suddenly your all bound together because you share your humanity in one simple moment.
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I have grown up loving Shakespeare.
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You dread that there will be real problems during filming.
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I don't feel particularly comfortable about actors using whatever power they may have to push their beliefs, unless they're extremely well informed.
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Most films are rooted in a book or a comic strip, but I don't go out there saying I want to do adaptations.
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There's a challenge to playing these fantasy figures because they are fantasy figures. You have to enter into this sort of imaginative world of the writer.
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I respond to a part just intuitively when I read a script.
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Having gone through editing process, I can see that in actor's faces there's point where they're not managing their performance and that's, I think, the best place to be. You've done the homework, you've learned the lines, at that point you just sort of let it out.
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I'm more relaxed about how the editing process will create a performance and that, in a way, gives me a sense of freedom.
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I guess I'd love to be surprised by something I had never thought of.
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It's great to be on a set where there's time and there's focus and there's also a kind of adrenaline thrill on a set where people are saying: We have to get this shot, we've have to go, we've got to move on!
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I was grateful to have two weeks to shoot this one scene in Harry Potter. It's a big, big scene, but they have to deliver. And they have high expectations.
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I was only interested in my scene, and I had to go through thousands and thousands of other scenes. I got my scene and I read it many, many, many, many, many times. That was my research.
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There is a tension in relationships between wanting to return to the womb, but also wanting to be free. Because sometimes the woman's attentions can be overly maternal, and you want to go, 'Ahhhh!'
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Little moments can have a feeling and a texture that is very real.
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I went out to Mount Kilimanjaro, which I thought was very beautiful, but there were a lot of people there.
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It's not great if someone gives you sort of bland praise without giving you clear direction and say, This is good, let's try it like this. I have worked with someone who seemed quite inarticulate and just would say, That's good, that's good. That's very frustrating because - it's nice to know something is good but you know it can always ch
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I think Shakespeare is like a dialect. If I heard a broad Scots accent, I'd probably struggle at first but then I'd start to look for words I recognise and I'd get the gist. I think Shakespeare is like that.
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