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I'm more relaxed about how the editing process will create a performance and that, in a way, gives me a sense of freedom.

Ralph Fiennes

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Ralph Fiennes
Age: 61
Born: 1962
Born: December 22
Actor
Character Actor
Film Actor
Film Director
Film Producer
Stage Actor
Television Actor
Voice Actor
Ipswich (parish)
Ralph Nathaniel Twisleton Wykeham Fiennes
Ralph Nathaniel Twisleton-Wykeham-Fiennes
Sense
Relaxed
Giving
Editing
Way
Performance
Performances
Gives
Create
Freedom
Process

More quotes by Ralph Fiennes

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I loved doing Harry Potter. I had a great time on that. And I think it's good to have a mix. I think you're learning all the time.
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I veer away from trying to understand why I act. I just know I need to do it.
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It's great to be on a set where there's time and there's focus and there's also a kind of adrenaline thrill on a set where people are saying: We have to get this shot, we've have to go, we've got to move on!
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You dread that there will be real problems during filming.
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Unicef's education initiative does not seek to impose, but to initiate and integrate. It does, however, aim to address the huge bias towards education for boys at the expense of girls in so many cultures.
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In the best material, you always should be able to somehow make a case for a story to be transposed to any other time.
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There is a tension in relationships between wanting to return to the womb, but also wanting to be free. Because sometimes the woman's attentions can be overly maternal, and you want to go, 'Ahhhh!'
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We are now living in a jungle where the strong eats the weak,we are not better than the Arabs to despise them.
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You have to just dive over the edge. You haven't got time to mess about.
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I think Shakespeare is like a dialect. If I heard a broad Scots accent, I'd probably struggle at first but then I'd start to look for words I recognise and I'd get the gist. I think Shakespeare is like that.
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Unicef wants to encourage a sense of stability for a child.
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When I first filmed things, they were always slightly awkward.
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I was only interested in my scene, and I had to go through thousands and thousands of other scenes. I got my scene and I read it many, many, many, many, many times. That was my research.
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I'm interested in the spirits of people. In the theatre, there's the acting part of acting - and I'm not saying that can't be great - and there's the essence. To explore that essence, you need a key, a look, a gesture, an insight that unlocks the person's soul.
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It's not great if someone gives you sort of bland praise without giving you clear direction and say, This is good, let's try it like this. I have worked with someone who seemed quite inarticulate and just would say, That's good, that's good. That's very frustrating because - it's nice to know something is good but you know it can always ch
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I have a lot of stuff I want to talk about and offer up. It would be odd not to have ideas about something.
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I never studied anything about film technique in school. Eventually, I realized that cinema and theater are not so different: from the gut to the heart to the head of a character is the same journey for both.
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Little moments can have a feeling and a texture that is very real.
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People fear they won’t get what they want.
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The actor shouldn't edit themselves or be anxious. And the actors that I admire are always the ones who are inventive and their imaginative life in free-willing. It's a director's job to go, No here, don't do that, go there.
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