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I'm more relaxed about how the editing process will create a performance and that, in a way, gives me a sense of freedom.

Ralph Fiennes

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Ralph Fiennes
Age: 61
Born: 1962
Born: December 22
Actor
Character Actor
Film Actor
Film Director
Film Producer
Stage Actor
Television Actor
Voice Actor
Ipswich (parish)
Ralph Nathaniel Twisleton Wykeham Fiennes
Ralph Nathaniel Twisleton-Wykeham-Fiennes
Freedom
Process
Sense
Relaxed
Giving
Editing
Way
Performance
Performances
Gives
Create

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I don't feel particularly comfortable about actors using whatever power they may have to push their beliefs, unless they're extremely well informed.
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I guess I'd love to be surprised by something I had never thought of.
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God is not anything human. God is a force, God is chaos, God is unknown. God is terror and enlightenment at the same time.
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Unicef wants to encourage a sense of stability for a child.
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Going to the movies was a big event in my youth. My father would be the initiator - he'd have me put on a jacket to see a film.
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So much of movie acting is in the lighting. And in loving your characters. I try to know them, and with that intimacy comes love. And now, I love Voldemort.
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It [the scene] can be something given to you and you go, Ah this is a good idea, I can work with this. Sometimes it cuts right across your instinct and that's when I might resist. Even if the director might be insistent, I think it's very important to say, Look, I'm not feeling this. I'll try to make it work but I got to let you know.
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Little moments can have a feeling and a texture that is very real.
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Kenya doesn't have much of an infrastructure for hosting a film.
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It's thrilling to have the opportunity to work in different areas, whether it's on a project that has all the resources behind it like Harry Potter or James Bond and then to go somewhere there's very few resources.
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When I first filmed things, they were always slightly awkward.
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People fear they won’t get what they want.
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One of the things that binds us as a family is a shared sense of humor.
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I respond to a part just intuitively when I read a script.
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I'm interested in the spirits of people. In the theatre, there's the acting part of acting - and I'm not saying that can't be great - and there's the essence. To explore that essence, you need a key, a look, a gesture, an insight that unlocks the person's soul.
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Voldemort? That might be real.
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I went out to Mount Kilimanjaro, which I thought was very beautiful, but there were a lot of people there.
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Success.. is all about being able to extend love to people... not in a big, capital letter sense but in the everyday. Little by little, task by task, gesture by gesture, word by word.
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I admire the world of the books and the characters that she's created, but I'm not an addict of Harry Potter. I don't feel possessive about it.
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I feel there's so much still to learn about acting. But there is some magic in the capturing of performance and in the process of editing a performance. The psychology of human beings and what's coming through the face... that fascinates me.
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