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The actor shouldn't edit themselves or be anxious. And the actors that I admire are always the ones who are inventive and their imaginative life in free-willing. It's a director's job to go, No here, don't do that, go there.
Ralph Fiennes
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Ralph Fiennes
Age: 62
Born: 1962
Born: December 22
Actor
Character Actor
Film Actor
Film Director
Film Producer
Stage Actor
Television Actor
Voice Actor
Ipswich (parish)
Ralph Nathaniel Twisleton Wykeham Fiennes
Ralph Nathaniel Twisleton-Wykeham-Fiennes
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More quotes by Ralph Fiennes
You have to just dive over the edge. You haven't got time to mess about.
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Unicef wants to encourage a sense of stability for a child.
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We are now living in a jungle where the strong eats the weak,we are not better than the Arabs to despise them.
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Most films are rooted in a book or a comic strip, but I don't go out there saying I want to do adaptations.
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I have grown up loving Shakespeare.
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Little moments can have a feeling and a texture that is very real.
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I was grateful to have two weeks to shoot this one scene in Harry Potter. It's a big, big scene, but they have to deliver. And they have high expectations.
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I have a lot of stuff I want to talk about and offer up. It would be odd not to have ideas about something.
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I loved doing Harry Potter. I had a great time on that. And I think it's good to have a mix. I think you're learning all the time.
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You're meant to be playing the distillation of evil, which can be anything.
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There's a challenge to playing these fantasy figures because they are fantasy figures. You have to enter into this sort of imaginative world of the writer.
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I'm more relaxed about how the editing process will create a performance and that, in a way, gives me a sense of freedom.
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I'm interested in the spirits of people. In the theatre, there's the acting part of acting - and I'm not saying that can't be great - and there's the essence. To explore that essence, you need a key, a look, a gesture, an insight that unlocks the person's soul.
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It's not great if someone gives you sort of bland praise without giving you clear direction and say, This is good, let's try it like this. I have worked with someone who seemed quite inarticulate and just would say, That's good, that's good. That's very frustrating because - it's nice to know something is good but you know it can always ch
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I learned a lot about acting - watching not just myself but other actors and learning how to distinguish between two great takes. It's also about one's own taste in performance.
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I never studied anything about film technique in school. Eventually, I realized that cinema and theater are not so different: from the gut to the heart to the head of a character is the same journey for both.
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I respond to a part just intuitively when I read a script.
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