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I was grateful to have two weeks to shoot this one scene in Harry Potter. It's a big, big scene, but they have to deliver. And they have high expectations.
Ralph Fiennes
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Ralph Fiennes
Age: 62
Born: 1962
Born: December 22
Actor
Character Actor
Film Actor
Film Director
Film Producer
Stage Actor
Television Actor
Voice Actor
Ipswich (parish)
Ralph Nathaniel Twisleton Wykeham Fiennes
Ralph Nathaniel Twisleton-Wykeham-Fiennes
High
Harry
Bigs
Deliver
Two
Weeks
Shoot
Expectations
Grateful
Scene
Potter
Week
Potters
More quotes by Ralph Fiennes
Having gone through editing process, I can see that in actor's faces there's point where they're not managing their performance and that's, I think, the best place to be. You've done the homework, you've learned the lines, at that point you just sort of let it out.
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I don't feel particularly comfortable about actors using whatever power they may have to push their beliefs, unless they're extremely well informed.
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Voldemort? That might be real.
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Most films are rooted in a book or a comic strip, but I don't go out there saying I want to do adaptations.
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The actor shouldn't edit themselves or be anxious. And the actors that I admire are always the ones who are inventive and their imaginative life in free-willing. It's a director's job to go, No here, don't do that, go there.
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Little moments can have a feeling and a texture that is very real.
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I was only interested in my scene, and I had to go through thousands and thousands of other scenes. I got my scene and I read it many, many, many, many, many times. That was my research.
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I don't feel I'm playing villains all the time.
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Unicef's education initiative does not seek to impose, but to initiate and integrate. It does, however, aim to address the huge bias towards education for boys at the expense of girls in so many cultures.
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You dread that there will be real problems during filming.
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Education, awareness and prevention are the key, but stigmatisation and exclusion from family is what makes people suffer most
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People fear they won’t get what they want.
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In the best material, you always should be able to somehow make a case for a story to be transposed to any other time.
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I never studied anything about film technique in school. Eventually, I realized that cinema and theater are not so different: from the gut to the heart to the head of a character is the same journey for both.
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You have to just dive over the edge. You haven't got time to mess about.
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God is not anything human. God is a force, God is chaos, God is unknown. God is terror and enlightenment at the same time.
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Kenya doesn't have much of an infrastructure for hosting a film.
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I have a lot of stuff I want to talk about and offer up. It would be odd not to have ideas about something.
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I learned a lot about acting - watching not just myself but other actors and learning how to distinguish between two great takes. It's also about one's own taste in performance.
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I respond to a part just intuitively when I read a script.
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