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You're meant to be playing the distillation of evil, which can be anything.

Ralph Fiennes

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Ralph Fiennes
Age: 61
Born: 1962
Born: December 22
Actor
Character Actor
Film Actor
Film Director
Film Producer
Stage Actor
Television Actor
Voice Actor
Ipswich (parish)
Ralph Nathaniel Twisleton Wykeham Fiennes
Ralph Nathaniel Twisleton-Wykeham-Fiennes
Distillation
Meant
Playing
Evil
Anything

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There is a tension in relationships between wanting to return to the womb, but also wanting to be free. Because sometimes the woman's attentions can be overly maternal, and you want to go, 'Ahhhh!'
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There are those moments when you shake someone's hand, have a conversation with someone, and suddenly your all bound together because you share your humanity in one simple moment.
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I went out to Mount Kilimanjaro, which I thought was very beautiful, but there were a lot of people there.
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Unicef wants to encourage a sense of stability for a child.
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I admire the world of the books and the characters that she's created, but I'm not an addict of Harry Potter. I don't feel possessive about it.
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We are now living in a jungle where the strong eats the weak,we are not better than the Arabs to despise them.
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Most films are rooted in a book or a comic strip, but I don't go out there saying I want to do adaptations.
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You dread that there will be real problems during filming.
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There's a challenge to playing these fantasy figures because they are fantasy figures. You have to enter into this sort of imaginative world of the writer.
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It's great to be on a set where there's time and there's focus and there's also a kind of adrenaline thrill on a set where people are saying: We have to get this shot, we've have to go, we've got to move on!
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Kenya doesn't have much of an infrastructure for hosting a film.
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I'm more relaxed about how the editing process will create a performance and that, in a way, gives me a sense of freedom.
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I veer away from trying to understand why I act. I just know I need to do it.
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I have grown up loving Shakespeare.
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In the best material, you always should be able to somehow make a case for a story to be transposed to any other time.
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I'm not very good at being domesticated. I've tried. The domestic life I find claustrophobic - the rituals and habits and patterns.
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So much of movie acting is in the lighting. And in loving your characters. I try to know them, and with that intimacy comes love. And now, I love Voldemort.
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I was only interested in my scene, and I had to go through thousands and thousands of other scenes. I got my scene and I read it many, many, many, many, many times. That was my research.
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I was grateful to have two weeks to shoot this one scene in Harry Potter. It's a big, big scene, but they have to deliver. And they have high expectations.
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The actor shouldn't edit themselves or be anxious. And the actors that I admire are always the ones who are inventive and their imaginative life in free-willing. It's a director's job to go, No here, don't do that, go there.
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