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There are those moments when you shake someone's hand, have a conversation with someone, and suddenly your all bound together because you share your humanity in one simple moment.
Ralph Fiennes
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Ralph Fiennes
Age: 61
Born: 1962
Born: December 22
Actor
Character Actor
Film Actor
Film Director
Film Producer
Stage Actor
Television Actor
Voice Actor
Ipswich (parish)
Ralph Nathaniel Twisleton Wykeham Fiennes
Ralph Nathaniel Twisleton-Wykeham-Fiennes
Hands
Suddenly
Someone
Conversation
Together
Share
Humanity
Hand
Shake
Simple
Shakes
Moment
Bound
Moments
Bounds
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One of the things that binds us as a family is a shared sense of humor.
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I was only interested in my scene, and I had to go through thousands and thousands of other scenes. I got my scene and I read it many, many, many, many, many times. That was my research.
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I veer away from trying to understand why I act. I just know I need to do it.
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I have grown up loving Shakespeare.
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I guess I'd love to be surprised by something I had never thought of.
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It's not great if someone gives you sort of bland praise without giving you clear direction and say, This is good, let's try it like this. I have worked with someone who seemed quite inarticulate and just would say, That's good, that's good. That's very frustrating because - it's nice to know something is good but you know it can always ch
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When I first filmed things, they were always slightly awkward.
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Kenya doesn't have much of an infrastructure for hosting a film.
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I feel there's so much still to learn about acting. But there is some magic in the capturing of performance and in the process of editing a performance. The psychology of human beings and what's coming through the face... that fascinates me.
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I never studied anything about film technique in school. Eventually, I realized that cinema and theater are not so different: from the gut to the heart to the head of a character is the same journey for both.
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I loved doing Harry Potter. I had a great time on that. And I think it's good to have a mix. I think you're learning all the time.
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People fear they won’t get what they want.
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It [the scene] can be something given to you and you go, Ah this is a good idea, I can work with this. Sometimes it cuts right across your instinct and that's when I might resist. Even if the director might be insistent, I think it's very important to say, Look, I'm not feeling this. I'll try to make it work but I got to let you know.
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Education, awareness and prevention are the key, but stigmatisation and exclusion from family is what makes people suffer most
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I'm more relaxed about how the editing process will create a performance and that, in a way, gives me a sense of freedom.
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He's really sort of the devil. He's completely emotionally detached. He has no empathy. You find that in psychopaths. It's about power with Voldemort. It's an aphrodisiac for him. Power makes him feel alive.
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There's a challenge to playing these fantasy figures because they are fantasy figures. You have to enter into this sort of imaginative world of the writer.
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I don't feel particularly comfortable about actors using whatever power they may have to push their beliefs, unless they're extremely well informed.
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There is a tension in relationships between wanting to return to the womb, but also wanting to be free. Because sometimes the woman's attentions can be overly maternal, and you want to go, 'Ahhhh!'
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It's great to be on a set where there's time and there's focus and there's also a kind of adrenaline thrill on a set where people are saying: We have to get this shot, we've have to go, we've got to move on!
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