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It felt wrong for me to stay totally connected to that very strict way of approaching the heritage - what it can be, what it cannot be. That was also the period where I really thought, No, let's open it up.
Raf Simons
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Raf Simons
Age: 56
Born: 1968
Born: January 12
Dressmaker
Fashion Designer
Raf Jan Simons
Open
Approaching
Wrong
Strict
Felt
Heritage
Cannot
Period
Thought
Totally
Also
Connected
Really
Periods
Way
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More quotes by Raf Simons
Both costume and fashion are about telling a story, except that in a ballet the story has already been written by the composer or the librettist.
Raf Simons
Robert Gober, for example. He doesn't seem like somebody who is just going to show in a gallery that asks him to show. He's just making his work, and when he's ready, he's going to show it.
Raf Simons
Unlike fashion, art isn't applied. It doesn't have to serve anybody. It doesn't have to be there for any other reason than to give an impression of what the world is about.
Raf Simons
The future, for me, is romantic, I don’t understand people who say the past is romantic. Romantic, for me, is something you don’t know yet, something you can dream about, something unknown and mystical. That I find fascinating.
Raf Simons
Becoming a fashion designer is agreeing with the fact that what you experience or what you see as free is also connected to a system. Does that mean giving up your freedom? I still don't know the answer. There's a very different kind of psychology going on in the fashion scene than in art.
Raf Simons
I'm a designer, and for me, things are always evolving, and such evolution is necessary.
Raf Simons
You do what you do. Or you do what you have to do. I don't know how to explain it better. I think that in the moment, you can't see connections, but sometimes afterwards you do.
Raf Simons
I wanted an idea of the future, a new femininity. I wanted you to feel that you wouldn't quite know where these women were coming from and where they were going to.
Raf Simons
I see my position in that whole Dior construction very differently from my own brand. My own brand will stand or fall because of me. Dior won't fall if I fall. It will also still stand if I'm not there. I'm coming in there and it's like a - I don't know the English word - like a passage.
Raf Simons
Fashion is such an octopus. You're connected to so many people: suppliers, pattern makers, production teams, marketing teams, vendors.
Raf Simons
L.A. interests me, the whole band scene and relaxed carefree feel, but it does not mean you have to dress like a hippy.
Raf Simons
Sometimes it’s more a matter of collaboration which matters in a collection.
Raf Simons
I dont want to show clothes, I want to show my attitude, my past, present and future. I use memories and future visions and try to place them in todays world.
Raf Simons
My whole life, I've always had to be surrounded by creative things. I find it relaxing to be in touch with creations by other people.
Raf Simons
Camouflage is about much more than concealment and going unnoticed. There's a whole game involved between revealing and hiding.
Raf Simons
I find it fascinating to see the fact that women want to buy things that they see on men.
Raf Simons
My aim is a very modern Dior, but at the end of the day, I also look back.
Raf Simons
I'm not so rock and roll. I'm more techno.
Raf Simons
I always try to connect with what's happening in the world-reality, modernity, the 21st century, all that - and with Jil it started to feel very disconnected from the outside and how women were looking at fashion, experiencing fashion, interpreting fashion.
Raf Simons
We are very excited to re-launch the collaboration with Fred Perry. We have great appreciation for the heritage of the brand as well as their dynamism in guiding the brand towards the future. Their openness to create synergies between both our brands will bring interesting, creative results.
Raf Simons