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It felt wrong for me to stay totally connected to that very strict way of approaching the heritage - what it can be, what it cannot be. That was also the period where I really thought, No, let's open it up.
Raf Simons
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Raf Simons
Age: 56
Born: 1968
Born: January 12
Dressmaker
Fashion Designer
Raf Jan Simons
Open
Approaching
Wrong
Strict
Felt
Heritage
Cannot
Period
Thought
Totally
Also
Connected
Really
Periods
Way
Stay
More quotes by Raf Simons
My whole life, I've always had to be surrounded by creative things. I find it relaxing to be in touch with creations by other people.
Raf Simons
I have so much respect for John [Galliano]s technical skill and the fantasy, its just something that I dont find relevant now, especially when it restricts a woman, because in every other area they have so much freedom.
Raf Simons
I'm usually very attracted to things that I can't define. If something's too clear, it's very often not inspiring to me anymore.
Raf Simons
And even being in the middle of it, at the LVMH group with Dior, there are certain parts of it that I'm just not really in, because it's not in me or my nature. The whole scene around it, the events, the photography ... It's never really been my thing. But I don't take a critical position on people who are very much about that either.
Raf Simons
We are very excited to re-launch the collaboration with Fred Perry. We have great appreciation for the heritage of the brand as well as their dynamism in guiding the brand towards the future. Their openness to create synergies between both our brands will bring interesting, creative results.
Raf Simons
Becoming a fashion designer is agreeing with the fact that what you experience or what you see as free is also connected to a system. Does that mean giving up your freedom? I still don't know the answer. There's a very different kind of psychology going on in the fashion scene than in art.
Raf Simons
I always try to connect with what's happening in the world-reality, modernity, the 21st century, all that - and with Jil it started to feel very disconnected from the outside and how women were looking at fashion, experiencing fashion, interpreting fashion.
Raf Simons
Sometimes it’s more a matter of collaboration which matters in a collection.
Raf Simons
The Dior heritage is so broad. It has a strong presence in the work. So, when people have to define it quickly, it's, like, the Bar jacket and the movement and the luxury and the Belle Époque and so much more.
Raf Simons
My aim is a very modern Dior, but at the end of the day, I also look back.
Raf Simons
Robert Gober, for example. He doesn't seem like somebody who is just going to show in a gallery that asks him to show. He's just making his work, and when he's ready, he's going to show it.
Raf Simons
I'm not so rock and roll. I'm more techno.
Raf Simons
I like very much to put on fashion shows.
Raf Simons
I've always seen myself as a small entity, and it will always stay like that. I'm not changing. But I think the big challenge for me taking on the Dior thing is to see how I can connect that to such a huge institution.
Raf Simons
I find it fascinating to see the fact that women want to buy things that they see on men.
Raf Simons
Fashion is such an octopus. You're connected to so many people: suppliers, pattern makers, production teams, marketing teams, vendors.
Raf Simons
I'm a designer, and for me, things are always evolving, and such evolution is necessary.
Raf Simons
Both costume and fashion are about telling a story, except that in a ballet the story has already been written by the composer or the librettist.
Raf Simons
My mother was a cleaning lady all her life.
Raf Simons
The future, for me, is romantic, I don’t understand people who say the past is romantic. Romantic, for me, is something you don’t know yet, something you can dream about, something unknown and mystical. That I find fascinating.
Raf Simons
