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It felt wrong for me to stay totally connected to that very strict way of approaching the heritage - what it can be, what it cannot be. That was also the period where I really thought, No, let's open it up.

Raf Simons

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Raf Simons
Age: 56
Born: 1968
Born: January 12
Dressmaker
Fashion Designer
Raf Jan Simons
Really
Periods
Way
Stay
Open
Approaching
Wrong
Strict
Felt
Heritage
Cannot
Period
Thought
Totally
Also
Connected

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Sometimes it’s more a matter of collaboration which matters in a collection.
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I have so much respect for John [Galliano]s technical skill and the fantasy, its just something that I dont find relevant now, especially when it restricts a woman, because in every other area they have so much freedom.
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Camouflage is about much more than concealment and going unnoticed. There's a whole game involved between revealing and hiding.
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Becoming a fashion designer is agreeing with the fact that what you experience or what you see as free is also connected to a system. Does that mean giving up your freedom? I still don't know the answer. There's a very different kind of psychology going on in the fashion scene than in art.
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You do what you do. Or you do what you have to do. I don't know how to explain it better. I think that in the moment, you can't see connections, but sometimes afterwards you do.
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My aim is a very modern Dior, but at the end of the day, I also look back.
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I find it fascinating to see the fact that women want to buy things that they see on men.
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I like very much to put on fashion shows.
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When it's only clothes, that is not satisfying enough for me. I don't think I could do this for 10, 20 years if that was all. It also has to be about a psychology or a mentality or a concept.
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I always try to connect with what's happening in the world-reality, modernity, the 21st century, all that - and with Jil it started to feel very disconnected from the outside and how women were looking at fashion, experiencing fashion, interpreting fashion.
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I see my position in that whole Dior construction very differently from my own brand. My own brand will stand or fall because of me. Dior won't fall if I fall. It will also still stand if I'm not there. I'm coming in there and it's like a - I don't know the English word - like a passage.
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I wanted an idea of the future, a new femininity. I wanted you to feel that you wouldn't quite know where these women were coming from and where they were going to.
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My mother was a cleaning lady all her life.
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I'm a designer, and for me, things are always evolving, and such evolution is necessary.
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I'm not so rock and roll. I'm more techno.
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Both costume and fashion are about telling a story, except that in a ballet the story has already been written by the composer or the librettist.
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Fashion is such an octopus. You're connected to so many people: suppliers, pattern makers, production teams, marketing teams, vendors.
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I dont want to show clothes, I want to show my attitude, my past, present and future. I use memories and future visions and try to place them in todays world.
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I'm usually very attracted to things that I can't define. If something's too clear, it's very often not inspiring to me anymore.
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My whole life, I've always had to be surrounded by creative things. I find it relaxing to be in touch with creations by other people.
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