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I love the international feeling In New Yokk. Different foods. Different people. There's everything here. Museums, theatre, there's so much to do I feel guilty about not doing too many things.

Rachel Weisz

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Rachel Weisz
Age: 54
Born: 1970
Born: March 7
Actor
Audiobook Narrator
Film Actor
Film Director
Model
Stage Actor
Television Actor
Theatre Actress
City of Westminster
Rachel Hannah Weisz
Much
Theatre
Things
International
Love
Feeling
People
Feelings
Everything
Many
Foods
Feel
Museums
Different
Guilty

More quotes by Rachel Weisz

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You never know how things will turn out. And you can't really say it turned out wrong. Whatever happens, happens. The important thing is that you followed your gut.
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I've always been fascinated by activists, people who will devote their life to a cause, people who go to India and to Africa and put their life in jeopardy to do what they believe is right.
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I could never write. I would just be too lonely. What's great about acting is, it's so collaborative.
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For me, being a mum has been a really, really instinctive thing.
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You have to be quite stupid to act.
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If I went out in killer heels and full makeup, blow dry, the whole thing — anyone dressed up like that could be intimidating to men and women, really. It's so, look at me. Do you know what I mean? But I love women.
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I'm thinking of doing more theatre. It makes me very happy.
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It is a political thriller. It's very action packed and it's very exciting, but at the same time it's a very big soulful love story about longing and loss. They're not separate, they're completely dependent on one another.
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I haven't only been offered Hasidic roles.
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I think if you ask the audience to like you, it's all over.
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In reality, the main thing that keeps me awake at night is probably the destruction of the planet that's what gets me pretty upset.
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To come to the Oscars for the first time and be seven months pregnant is quite a thing!
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Eccentricity is what's sexy in people.
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I don't know anything about science.
Rachel Weisz
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Well, I'm not at all like the tough, sexy femme fatale in Confidence but it's fun to play people who're really different from you, from different cultures and places. I suppose I'm a bit quieter than most of the people I play.
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I was an English-literature major, and that's all about stories and narratives.
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Normally, I would do research. For The Constant Gardener, I played an activist, so I went to meet activists. You can find them dotted around. But with The Brothers Bloom, I couldn't meet a nutty heiress who lived in a bubble in a mansion. There was no one to meet. So this was just an active imagining, a daydream.
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With a group of people, a troupe of actors in the theater, you go out on tour, and you're like a traveling circus. It's very sociable, and there's a real community, and it's very intense, and then you may never see them again. That was very appealing. I mean, it wasn't consciously appealing, but I think a lot of actors like that.
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Because I think in order to get famous you have to be known for something. Like 'You're the romantic comedy girl' or 'You're the Oscar-winning whatever girl.'
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Every new mother wonders, 'what will I pass on to my child'? Hunger is one inheritance no mother wants to give her child, yet millions of poor women have for generations. Help the World Food Programme break this cycle. No child should inherit hunger.
Rachel Weisz