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You know, you can't see or touch and isn't embodied. But they were all fallible, the Gods. And they would kind of rise and fall. You know, they all, like Achilles, Icarus, you know, they all had their high points and their low points.

Rachel Weisz

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Rachel Weisz
Age: 54
Born: 1970
Born: March 7
Actor
Audiobook Narrator
Film Actor
Film Director
Model
Stage Actor
Television Actor
Theatre Actress
City of Westminster
Rachel Hannah Weisz
Lows
Touch
Icarus
High
Fallible
Fall
Achilles
Kind
Embodied
Would
Points
Like
Gods
Rise

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Normally, I would do research. For The Constant Gardener, I played an activist, so I went to meet activists. You can find them dotted around. But with The Brothers Bloom, I couldn't meet a nutty heiress who lived in a bubble in a mansion. There was no one to meet. So this was just an active imagining, a daydream.
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We're on this rock and we can choose to treat each other well or we can choose to kill each other and be uncivilized. I don't know. It's very tragic. It's a very tragic thing to think about.
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Well, I'm not at all like the tough, sexy femme fatale in Confidence but it's fun to play people who're really different from you, from different cultures and places. I suppose I'm a bit quieter than most of the people I play.
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It is a political thriller. It's very action packed and it's very exciting, but at the same time it's a very big soulful love story about longing and loss. They're not separate, they're completely dependent on one another.
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I love the international feeling In New Yokk. Different foods. Different people. There's everything here. Museums, theatre, there's so much to do I feel guilty about not doing too many things.
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I think if you ask the audience to like you, it's all over.
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I'm not confident around compliments or being celebrated, and I'm not comfortable with the thought of envy, which some people thrive on.
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Often Hollywood crews go into third world countries and I don't believe they behave well.
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I was offered more work after the Oscar. When I was younger, I would take whatever I was offered because it was money and work and experience. In a way, choosing is the hard part. I know that's a luxury problem, but it's true. I try to go where passion takes me.
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Botox should be banned for actors, as steroids are for sportsmen. Acting is all about expression why would you want to iron out a frown?
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I'm pretty private about my neuroses. You're not neurotic if you talk to yourself - everyone does - you're only neurotic if you hear an answer.
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I was an English-literature major, and that's all about stories and narratives.
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I want to play interesting women.
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I didn't think the teachers had the right to tell me what to do. I would just disobey, talk in the classroom, get very bad grades.
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The bond between mother and baby is so interesting. Women have been giving birth since the beginning of time, but when it happens to you it feels like a miracle.
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It's really hard to make a good film it's really, really hard. So, the director's very important, and a character that can be described with more than one or two adjectives, maybe with contradictions. Contradictions are always good because that's truthful.
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I feel like I'm one of the many working mothers. And I only have one child. I know working mums who have three or four. It's definitely a challenge but it's a wonderful challenge to be able to do both.
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You never know how things will turn out. And you can't really say it turned out wrong. Whatever happens, happens. The important thing is that you followed your gut.
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My real fantasy if I was to drop out would be to live in a mobile home and be a hippie and drive around festivals and have millions of children - children with dreadlocks and nose rings - and play the flute.
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If I'm just in dungarees, I don't think I would intimidate anyone.
Rachel Weisz