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I was offered more work after the Oscar. When I was younger, I would take whatever I was offered because it was money and work and experience. In a way, choosing is the hard part. I know that's a luxury problem, but it's true. I try to go where passion takes me.

Rachel Weisz

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Rachel Weisz
Age: 54
Born: 1970
Born: March 7
Actor
Audiobook Narrator
Film Actor
Film Director
Model
Stage Actor
Television Actor
Theatre Actress
City of Westminster
Rachel Hannah Weisz
Luxury
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Takes
Take
Hard
Passion
Oscar
Trying
Whatever
Oscars
Work
Experience
Choosing
Way
Money
Offered
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More quotes by Rachel Weisz

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I'm pretty private about my neuroses. You're not neurotic if you talk to yourself - everyone does - you're only neurotic if you hear an answer.
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I find Hollywood really toxic.
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The bond between mother and baby is so interesting. Women have been giving birth since the beginning of time, but when it happens to you it feels like a miracle.
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I didn't think the teachers had the right to tell me what to do. I would just disobey, talk in the classroom, get very bad grades.
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I don't believe your soul mate has to share your politics.
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Every new mother wonders, 'what will I pass on to my child'? Hunger is one inheritance no mother wants to give her child, yet millions of poor women have for generations. Help the World Food Programme break this cycle. No child should inherit hunger.
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I don't like travelling. Which is ridiculous. And it's not because I'm afraid of dying on the plane or anything. I just like to stay at home.
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I go and see music all the time.
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Eccentricity is what's sexy in people.
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It's really hard to make a good film it's really, really hard. So, the director's very important, and a character that can be described with more than one or two adjectives, maybe with contradictions. Contradictions are always good because that's truthful.
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Botox should be banned for actors, as steroids are for sportsmen. Acting is all about expression why would you want to iron out a frown?
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I don't know anything about science.
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It's also that comedians don't have the kind of narcissism that actors have. They're writers who perform their own material. It's more interesting. And they're sexy because they risk more. Stand-up comedians risk more than anyone.
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You know, you can't see or touch and isn't embodied. But they were all fallible, the Gods. And they would kind of rise and fall. You know, they all, like Achilles, Icarus, you know, they all had their high points and their low points.
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I think actors have a choice of drawing attention to themselves or living on the outskirts.
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I want to play interesting women.
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I moved to New York last year and I love it. It's a huge change and I've always wanted to spend time there. It's like a more intense London, and everything's up a few notches. The lights are brighter, the pace is faster and the food's better.
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Normally, I would do research. For The Constant Gardener, I played an activist, so I went to meet activists. You can find them dotted around. But with The Brothers Bloom, I couldn't meet a nutty heiress who lived in a bubble in a mansion. There was no one to meet. So this was just an active imagining, a daydream.
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If I'm just in dungarees, I don't think I would intimidate anyone.
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That was me under the bath and the water being held down. The director wanted it to look as real as possible so he told Keanu, in front of me, don't go easy on her. So it was scary.
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