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I haven't only been offered Hasidic roles.

Rachel Weisz

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Rachel Weisz
Age: 54
Born: 1970
Born: March 7
Actor
Audiobook Narrator
Film Actor
Film Director
Model
Stage Actor
Television Actor
Theatre Actress
City of Westminster
Rachel Hannah Weisz
Hasidic
Offered
Havens
Haven
Roles

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I am definitely a worrier.
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I always do my interviews face to face.
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My real fantasy if I was to drop out would be to live in a mobile home and be a hippie and drive around festivals and have millions of children - children with dreadlocks and nose rings - and play the flute.
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Often Hollywood crews go into third world countries and I don't believe they behave well.
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Every new mother wonders, 'what will I pass on to my child'? Hunger is one inheritance no mother wants to give her child, yet millions of poor women have for generations. Help the World Food Programme break this cycle. No child should inherit hunger.
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I just kind of muddled through in my 20s. I did whatever I got offered, to be honest, to pay the bills. I didn't really know what I was doing. There are some actors in their 20s who are very sure. I wasn't very sure what I was doing. I feel like I've only really just got going.
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You never know how things will turn out. And you can't really say it turned out wrong. Whatever happens, happens. The important thing is that you followed your gut.
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I do read movie blogs. I think what's really interesting - Probably everyone says this, but what's interesting is it, it takes away the power, from the newspaper magnates, so be it Murdoch or whatever. I mean, it's like the people taking it back. Isn't it? I mean, do people talk about this all the time?
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At the end of the day, flirting is a pretty universal language. Americans are more direct. British people are more indirect about everything
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It's really hard to make a good film it's really, really hard. So, the director's very important, and a character that can be described with more than one or two adjectives, maybe with contradictions. Contradictions are always good because that's truthful.
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I moved to New York last year and I love it. It's a huge change and I've always wanted to spend time there. It's like a more intense London, and everything's up a few notches. The lights are brighter, the pace is faster and the food's better.
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In L.A., unless you've just won an Oscar or you're Mr. Studio Head, no one talks to you. Even at parties.
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You know, you can't see or touch and isn't embodied. But they were all fallible, the Gods. And they would kind of rise and fall. You know, they all, like Achilles, Icarus, you know, they all had their high points and their low points.
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Normally, I would do research. For The Constant Gardener, I played an activist, so I went to meet activists. You can find them dotted around. But with The Brothers Bloom, I couldn't meet a nutty heiress who lived in a bubble in a mansion. There was no one to meet. So this was just an active imagining, a daydream.
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I'm pretty private about my neuroses. You're not neurotic if you talk to yourself - everyone does - you're only neurotic if you hear an answer.
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I'm not confident around compliments or being celebrated, and I'm not comfortable with the thought of envy, which some people thrive on.
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The most interesting characters are those you're drawn to, then repelled by, and then come to understand. All that tension - I live that. But I don't plan the tension. It's just something that should happen.
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I go and see music all the time.
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I don't believe your soul mate has to share your politics.
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If I went out in killer heels and full makeup, blow dry, the whole thing — anyone dressed up like that could be intimidating to men and women, really. It's so, look at me. Do you know what I mean? But I love women.
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